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Interview with illustrator and tattoo artist Sacronero

Thanks Marco Costantini @sacronero for taking part in our illustrators’ interview series!

How long have you been drawing?

From a very long time, since i was a young boy. 
I have a precise memory of my childhood: my dad who used to draw beautiful and super funny greeting cards for the whole family, and me trying in every way to copy him. I obviously failed miserably, my dad drawings were beautiful and too complex for me.
I remember the drawing battles that I used to lose every day against my best friend of that time (he still is now!) during classes at elementary school. 
My passion for illustration started the first time that i saw the drawings of Sergio Toppi, founded on a children’s newspaper (il Giornalino) that I used to read avidly every week when I was a kid.

What’s your process?

I always start flipping through my old sketchbooks and my notebooks, that over the years I have filled with interesting photos and doodles., looking for ideas and references.
When i find something that catch my interest i start to work on that subject.
I usually work on very large sheets of paper (as large as possible), in this way i avoid the risk to have limits that force me in some direction. 
as soon as i start to draw, my mind begins to travel and to imagine associations between elements, scenarios, and compositions, that i can build around the initial idea. for this reason it is fundamental for me to use a very large sheet: when i start i never know where i will end. 
When the artwork is done, i simply cut the sheet in a proportioned size.
Generally it is while my hand is moving on paper that I find ideas. If I try to find a good idea just staring at the wall, I could stay there for days without finding anything.
I have to move my hands and to do something to activate the mind. 

Digital vs traditional?

Traditional. My passion and obsession with drawing materialize in the point of contact between paper and pen and in the sound that they produce together.  The different types of paper, and above all, the pens, are my great obsession.. the pens.. I have a lot of them and when they finish I don’t have the courage to throw them 🙂 I have drawers full of pens of all kind, I know them all and I’m very jealous of each of them. It is almost impossible to steal one from me, my friends know that:) I also use the iPad when I need it, especially when I have to create a graphic that will then be printed on clothing, because in that case I need a very clean file to create the screen printing frame. I lso use it when  i have to change a design for a tattoo. It is very useful for these things.

How long does it take to create it?

The technique that I mainly use, and that gives me the most satisfaction, is crosshatching, that is a fairly slow technique. It takes me a while to finish a drawing, then obviously it depends on the size and complexity of the subject.  over time, I became much faster, also because I have to think less and less about what I’m going to do. In short, I make decisions quicker.

Is it a hobby or your career?

It is my job. 
Drawing is the core of everything i do, and I try to use it at 360 degrees. 
I get up in the morning and start to draw, in most cases I don’t know where my creation will end. It can stay there on paper, it can be framed and embellish a wall, it can become a shirt, it can be printed on a wardrobe or on a plate on which someone will eat, or maybe I will tattoo it on the arm of a client, to remain there for a lifetime. I love my job.

Why do you draw?

Because it’s the thing I do best, and it’s definitely the thing that makes me feel better. I completely lose track of time, worries disappear, I end up on another planet where I find peace and silence. For me it is a kind of meditation.
I think that through drawing I can express what I really am. Strengths and weaknesses, my passions, my taste and my limits. I draw precisely in the hope of reaching someone else’s eyes, someone who may have had a bad day, and make him smile, because maybe in that drawing he saw something that he felt familiar, something that resonated within him. Yes, I draw for this reason.

What inspires you?

My main source of inspiration are books and songs. 
Sometimes years after reading a book, suddenly a detail comes back to me: the description of a room, an object, or a person’s face. I love the great classics, my favorite authors are definitely Dostoevsky, Flaubert and Yourcenair. Another source of inspiration are the songs, the phrases of a refrain, or an impact title, I often turn it into an image.

What is the proudest moment that you have achieved?

Three moments.
The first one is when i opened my showroom in Turin, perhaps even earlier, while I was furnishing it, trying to find singular objects and decors in some hidden warehouses. I felt that the birth of something beautiful was near. 
The second one is the first time that I accidentally met, in a city far away from mine, a guy that was wearing a tshirt designed by me. It was funny and exciting.
The last moment is that time that a girl came in the shop where i work, asking to get her first tattoo done from me. She was super tense and nervous, but after we finished, she pulled out a giant smile and asked me if she could hug me. It moved me.

What is the biggest obstacle that you have faced?

I don’t know if I faced real obstacles in my career. Surely I struggled to convince myself of my abilities, and to realize that drawing could become my job.

You have one day to live, how do you spend it?

Easy question 🙂 For sure i would spend it drawing, closed in a stone and wood house on the high mountains, surrounded by pine forests with an icy torrent that passes by. Nothing more.

How can people get in contact with you? 

I can be reached on instagram @sacronero or @hardtimesdesign, on facebook Marco Costantini or Hardtimes Design, visting www.hardtimes-design.com, or via email sacronero@gmail.com or hardtimes.shop@gmail.com

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Whimsical illustrations by Lauren Lee

Thanks Lauren aka @byloelee for taking part in our illustrators’ interview series!

How long have you been drawing?

I drew as a child, but not very seriously. It wasn’t until I graduated from university as a graphic design major that I redeveloped my passion for it. I always had an interest, but didn’t feel it was a viable career nor that I was very good. I practiced it everyday after my office job and soon it became another love.

What’s your process?

My process always starts with research. Normally, I have a specific concept or feeling I’m thinking of, but it’s hard for me to envision things exactly (for example, a hand’s posture/position). I also love being inspired by what other artists are creating, especially if their styles are very different from mine. After that, I start with a pencil sketch and fix it up as closely to the final as possible. Then I block the sketch with colors before going into linework.

How long does it take to create it?

It depends on the level of detail – something fun and simple can take as little as an hour or two. On average most of my works will take somewhere between three to thirty hours all-around.

Is it a hobby or your career?

It used to be a hobby, but starting last year, I was able to switch it into a full-time career!

Why do you draw?

I love to draw to tell stories and convey feelings I have a hard time putting into words. One day, I’d love to write and illustrate a book. My favorite subjects are mixing whimsical/childlike themes with everyday life – it turns subjects hard to understand into something relatable.

What inspires you?

I’m inspired by mixed emotions and how to convey them simultaneously. For example, feeling lonely while being an introvert or trying to practice gratitude in moments of anxiety (things I think many people are trying to do during this pandemic situation). When I draw these feelings, it gives me a sense of both release and nostalgia. When others say they can relate, it helps us all not to feel as alone. 

What is the proudest moment that you have achieved?

My proudest moment would be at the very beginning of my career when I painted my first mural. It was during a time when I felt abused at the design agency I was working at. The day I resigned (after much deliberation) I reached out to my favorite coffee shop in New York and pitched them a mural in their shop. They accepted and together we collaborated on a 80 ft. black and white mural framing their name. To this day, it is one of my favorite projects and walking in there is a surreal experience every time! 

What is the biggest obstacle that you have faced?

Recently, the biggest obstacle I’ve faced in my career is the stunt of work due to COVID-19. This is an answer I’m sure many creatives, especially freelance or self-employed artists, can relate to. I recently went full-time freelance at the beginning of 2020. The volume of work was plenty at the time, however, the COVID situation has turned that momentum on its head. It’s hard when you feel a new beginning, especially one you’ve built up, has come to a sudden stop. The best we can do is be adaptable, come up with alternate creative solutions, and learn to breathe and take a break!

You have one day to live, how do you spend it?

I would be at home, with my family, my boyfriend, and our two dogs. I’d tell everyone I love that I love them, watch the entire Harry Potter movie series, and be surrounded by an unlimited amount of sushi and ice cream (eaten separately of course). I’d try to finish the outline of my book (so maybe a close friend can take over one day). 

How can people get in contact with you? 
People can contact me via email or instagram! I’m always happy to discuss commercial work and I have a special love for book covers, packaging and murals. 

Instagram & Dribbble: @byloelee 

Email:hello@laurenelizabethlee.com

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Interview with illustrator Snow

Thanks Snow @snowbayles for taking part in our illustrators’ interview series!

How long have you been drawing?

I have been drawing since I can hold a pencil in my hand.

What’s your process?

I don’t have a process.  I draw when I want to.  I stop when I no longer want to.  It’s by doing this that no project has really displeased me.  Because I do it when I know I like it.

Digital vs traditional?

Traditional.  Simply because nothing will ever replace the senses associated with traditional art.  Even if I love digital for a lot of things.  I always have paper and a pencil with me.  Even to take notes.

How long does it take to create it?

All the illustrations that you can see on my insta are generally done between 30min and 1h.  Less for very simple designs and several hundred or even thousands of hours for the biggest projects I have had.

Is it a hobby or your career?

Both but drawing is not my only one career.

Why do you draw ?

Because I love it.  What other reasons would it be ?

What inspires you?

Absolutely everything on our planet.

What is the proudest moment that you have achieved?

This isn’t really just a moment but what I’m most proud of is that I’ve never given up on anything that is really close to my heart.  But in the end it’s not really about pride I think because it’s still not finished for me.  When I could tell everyone “I told you so”, at that time I would be proud of what I have achieved so far.

What is the biggest obstacle that you have faced?

The answer is simple although the obstacle is difficult.  No roof to sleep in, no friends to call for help, no family because I’m too stubborn, not a single cent on my account, no phone, no internet, nothing.  And continue to be happy every day with that.  It was the biggest obstacle of my life but overcoming it brought me 10 years of wisdom about life in general.

You have one day to live, how do you spend it?

If I had a day to live I would spend it like other days.

How can people get in contact with you?

By sending me a message on instagram : @snowbayles

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Illustrator Fabian Branas’ micro world

Thanks Fabian @fabianbranas.art for taking part in our illustrators’ interview series!

How long have you been drawing?

There is a rumor that I was born with a pencil in my hand..

What’s your process?

I’ve two kind of processes. 

The first one: I think about something I feel, or a message I want to share, and then I write some words associated to it. To continue, I use these words to inspire me to do some sketches. I sketch and sketch again until it’s visually interesting. Sometimes it can take a few days. When I’m proud of my drawing, I ink it. After that, I show it to my family and some friends to have their feedback. And sometimes I restart it, or put it aside for some days and come back on it later.

The second one I can’t explain it. When I walk, when I take a shower, when I cook, when I read, when I drive, … an idea pop up in my brain and I have to draw it. Magic or excessive imagination? 

Digital vs traditional?

Traditional art is for me the most authentic and the most emotional art.

But I discovered the digital art just recently and actually that’s true it can be really interesting too.

How long does it take to create it?

It depends on my brain. If an idea pops up, it takes me less than an hour. If I have to search for a good idea and sketch a lot, a drawing can take me a few days.

Is it a hobby or your career?

Illustration is becoming my job now. I try to live with my drawings and I think I’m on the right track.

Why do you draw?

I’ve too many things in my head and heart, this is why I need to put them on paper. This is the only way to get them out otherwise I feel overwhelmed, my brain (heart) overheat and… BOOM !

What is the biggest obstacle that you have faced?

This is not the biggest but the longest:

I’ve always had some problems with my father because we don’t have the same vision of the world. He didn’t understand why I wanted to make art. For him, art was inevitably associated with the bohemian life. He is working hard since years in a big company to support his family and his son wanted to make art.. No security. Not so much money. An impossible life for him. It was hard for me to grow in life when someone I love didn’t believe in me. However I fought during a few years, and one day he came to me and said : “I’m proud of you, son!” 

You have one day to live, how do you spend it?

I open my fridge, grab a beer and drink it watching the ocean, listening the waves. And what happens when the beer’s empty? I grab another one. 

What inspires you?

The most of the time I’m inspired by what I live, what I feel or what I dream of. But there are some things which are frequently in my drawings: 

nature, because it’s fascinating me.

ocean, because it soothes me.

mountains, because I feel so tiny when I’m on them.

ecology, because respect is my first value and nature needs our respect.

skateboard, because it’s so fun.

surf, because it’s so fun.

vanlife, because it is my definition of freedom.

How can people get in contact with you? 

Opened to any crazy ideas! 

IG : @fabianbranas.art

email : fabian.branas@gmail.com

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Moon Art

Are you fascinated by the Moon? so am I!

Its cool light, constant changes and the mysterious ways it affects life on Earth has been inspiring artists through the ages.

A simple subject to paint, moon art most often turns magical, bringing the sense of mystique and an air of secrecy. Here are some of my favourite Instagram moons (I’m sure I’ve missed a few glorious ones since… well, many don’t seem to be tagged properly Emoji)


Mimi’s (@dizzyhazelart) strong-contrast Moon is turned into a beautiful graphic illustration with branches and gold painted around. 

Erica Gilliam @thesleepypine has created a wonderful bullet journal spread, filled with Moon phases and decorated with gold leaves, along with instructions on how to fully benefit from each of the waxing and waning events. 


The giant half moon by Enire @enire_k, with myriad of colours, from lightest pinks and rusts all the way to indigo and black, makes you feel like you’re being pulled into the open space.


Rayna Schwab’s (@rayna.schwab) gallery exhibits lots of moon art, demonstrating dozens of ways to paint our second celestial light. Among the loveliest are Rayna’s paintings of plant and tree silhouettes against the pale moonlight.


Tatiana Boiko @tatianabs.art gives her moons anthropomorphic character – a common approach in medieval times, on old illuminations and engravings – here with a modern twist, creating a beautiful spread of poetic and feminine moon phases.

Visit Lana’s Instagram gallery @calico.brush

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Scenic drawings with a flair for the fantastical, Meni Chatzipanagiotou


Thanks Meni @menis_art for taking part in our illustrators’ interview series!

How long have you been drawing?

I have been drawing and crafting things since I can remember. Professionally as a
full time illustrator, for the past five years. However, in total since my studies as a
graphic designer give or take for the past 11 years.

What’s your process?

First step of the work is research of the subject I am interested by reading a lot of
books, poems and etc. After I have a concept, I start creating different little variations
(pencil sketches). When I decide on a final draft, I proceed by selecting a surface,
paper or wood. Final step is to outline the work and fill in all the details with different
pen sizes and occasionally I may use other mediums too.

Digital vs traditional?

I prefer traditional drawing, however, I do enjoy working on certain occasions
digitally.

How long does it take to create it?

Each drawing requires different things, materials and time to be completed. I can
finish something very small in a few hours, but mostly it takes me days, weeks or
even months to finish a piece. Coming up with an idea, making multiple sketches,
revisions and of course the complexity and size of the work play significant role.

Is it a hobby or your career?

For me it is a career. However, there is a very fine line between these two, it can be
both. You can separate the business side of the work but when you are creating, art
is enjoyable. Is about making and exploring things, whether you do it as a profession
or not.

Why do you draw?

I want to create worlds that people can escape to, to dream, to travel for a few
seconds or minutes. The actual act of drawing, the process is very pleasing and
inspiring.

What inspires you?

Our vast natural world and its living inhabitants in every form and shape, both good
and bad. Books and poems hold unlimited inspiration for me, as they open different
worlds to dive in and spark up thoughts and feelings.

How can people get in contact with you?
They can send me an email at meni.chatzipanagiotou@gmail.com or they can join
me and my creative adventures on my social media pages.

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Watercolour Trends

Have you ever wondered how a subject becomes a trend? me too!

Here’s my theory: It takes someone extremely skilled to simplify a subject, while making it breathtakingly beautiful and (seemingly) super easy to recreate. That’s it. In a day or two, you’ll start seeing eucalyptus (ginseng, monstera, etc) leaves everywhere.  


Speaking of extremely skilled, French artist Blanche @leaubleue_ is most definitely at the very top. You could very well say Blanche is the Queen of Eucalyptus Leaves, with a number of stunning renditions of the subject, including the lovely red versions. Blanche paints her leaves and florals loosely, achieving subtle gradients and beautiful watery transitions.


Mina Park @minartillust paints the most striking botanicals in layers. In her Instagram post featured here, Mina plays with several colour mixes to create a rust-tinged, classical green and turquoise eucalyptus branch. Certainly one of the most exceptional eucalyptus-themed artworks. 


Jinhee @piggyme_1017 reviews watercolour supplies and has the most eclectic collection of ceramic palettes and trays. Her eucalyptus leaves are vivid and semi-realistic, and her presentation simple and elegant.

Visit Lana’s Instagram gallery @calico.brush

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Mother earth inspired illustrations by Eleni Georgiadou

Thanks Eleni Georgiadou @elenig for taking part in our illustrators’ interview series!

How long have you been drawing?
Since I was little. At the beginning I was just doodling weird faces and after my school art teacher encouraged me to do body and more details on them, I started developing my sketches even more. I remember drawing during all my school classes but after I went to college I stopped for some years. I started drawing again 4 years ago.

What’s your process?
For my personal projects I usually start right away, while having a clear mind and a good mood. I am always working during night, I can’t get so creative and comfortable in other hours. As you have noticed I love drawing characters always starting from their eyes which I believe they are the mirror of their souls. For commissioned projects I am following a different route, like doing a research first to get some knowledge on the subject. After that ideas come and go and when I have the initial idea ready I start sketching it roughly. I stop when I am pleased with my composition and then I start drawing it, digital or traditional depending on what I am asked to do, adding all the details everywhere it’s needed.

Digital vs traditional?
I used to work exclusively traditional but for almost one year now I tend to work more and more digital. To be honest I love both and I really miss drawing on paper and experiment with different mediums.

How long does it take to create it?
When I start to draw I completely loose the sense of time, my minimum is around 6 hours and maximum can even take days.

Is it a hobby or your career?

It’s my passion and something that I feel I am good at and can evolve more and more.

Why do you draw?
I draw cause that is something I really love and it has become a part of me all these years, it’s who I am. Drawing for me is a tool of mind-travelling to undiscovered places exploring your self-consciousness and heal yourself.

What inspires you?
Everything that surrounds me can be a source of inspiration such as nature, animals, poetry, music, people, movies and so many more. Need to mention that Tim Burton’s work influenced me a lot.

What is the proudest moment that you have achieved?
I can’t say I had the proudest moment yet but I am sure that moment will eventually come. I sure have memories that I felt proud of myself though!

What is the biggest obstacle that you have faced?
I think that my biggest obstacle was myself, my lack of confidence and my doubts on whether I was good enough as an artist. Seeing people appreciate my work gave me the necessary strength to overcome it and continue doing what I love the most.

You have one day to live, how do you spend it?
I would prefer not knowing it was my last day cause I would most likely panic. So the last day if I had the “luck” to know I would do my best to calm myself and spend my last moments with my family sharing memories, eating and listening to music and of course I wouldn’t miss a walk next to the sea…

How can people get in contact with you?
You can send me an email at elenigdrawing@gmail.com or direct message me on IG: @elenig
E-shop: www.inprnt.com/gallery/elenig/

Links for social media:
https://www.instagram.com/elenig/
https://twitter.com/_elenig_
https://www.facebook.com/elenigart

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Serial Art

Do you paint in sets?

Watercolour artists often do, especially if painting in wet or in layers (since watching the paint dry isn’t exactly the most exciting experience), but so do the artists using other media.

Developing a theme and exploring other possibilities while using the same colours or the same subject, is very common among the surface pattern designers, and a way to tell a story in more than one chapter. 

Ellen Crimi-Trent @ellencrimitrent, a Massachusetts-based artist and designer, uses all types of mediums in her expressive artwork and often paints in sets or series. Her wall of white-on-black flowers, done in acrylics, is a beautiful example of the variety that can be achieved simply by changing composition and layout of a single subject, while using the same limited palette. 

Kelly Ventura @kellyventuradesign works in Michigan and has created some of the most luscious surface pattern designs for famous retailers, including Anthropologie, Bloomingdale’s, Crate & Barrel, IKEA and Target. Kelly’s paintings and patterns sometimes spill over to another sheet of watercolour paper. Her peonies featured below are among those luxurious samples.

Gosia Gregorczyk @mkonejn, based in Gdansk, Poland, uses watercolours to create stunning gestural florals. As a surface pattern designer, Gosia often paints a series of flowers which either spread to another sheet of paper, or show a different angle and a variation on the theme in several editions, each entrancing on its own and absolutely fabulous when put together. 

Visit Lana’s Instagram gallery @calico.brush

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Mountain passion by Jonny Bobgan

Thanks Jonny Bobgan aka @inklineridge for taking part in our illustrators’ interview series!

How long have you been drawing?

For as long as I can remember. I loved drawing as a kid, though I wasn’t all that naturally talented at it. I like to think I was always the best artist in the room—unless there was another artist in the room.

Despite not being extremely gifted, I was fortunate to always have the support of my parents, teachers, and friends, so I just kept doing what I enjoyed. Eventually, I discovered my strengths and got better through practice. Too many adults don’t believe they have the talent for creating art, but a lot of the time it’s just because they stopped doing it so early or stopped enjoying it for the wrong reasons.

Why do you draw?

Usually because I’m inspired by other artists creating stunning work. I see a piece that is beautiful or meaningful, and I’m reminded of the importance of creating and putting artwork out there for people to enjoy. It’s also a really relaxing process for me. I have ADHD and drawing is an effective way for me to slow down and relax while keeping my mind and hands moving. As a student, I was constantly doodling in class, which always helped me attention (though some of my teachers found that hard to believe).

What inspires you?

Other than the inspiration I find in other art, I’m constantly inspired by the beautiful and dramatic world around me. It could be something as little as a leaf or as big as the mountains that gets me feeling creative. And now that I have kids of my own, they inspire me to keep drawing. I see their fearlessness when they create and when they use their imagination. I also want them to see what happens when you pursue what you love and commit yourself to making it a part of your life for the long haul. I remind them that you can make money doing what you love, and you can continue to love doing something even when it doesn’t bring a profit.  

Is it a hobby or your career?

I’m fortunate enough that it’s both. Unfortunately, Inkline Ridge no longer produces an income for me after the brutal Instagram algorithm updates last year; my follower count is 6,000 lower than it was one year ago after a steep decline in visibility. However, I do still work on occasional commissions—most recently for Patagonia—and I do a lot of sketching and illustration as part of my full-time job as a freelance graphic designer. This work tends to be much different than what you see me posting to Instagram, but there’s just as much—if not more—creativity behind it.

Digital vs traditional?

I love spending time with both, so I tend to go through phases. This also depends on the types of projects I’m working on. I tend to work on a lot of digital illustration to support the brands I work with as a freelancer. Working digitally allows me to work efficiently and shift direction and adjust details based on client feedback without taking a hit to my time or their budget. With modern tools like the iPad, Procreate App, and Apple Pencils, I’m still able to add a hand-rendered feel to the digital artwork when needed.

What’s your process?

This definitely varies by project, but if I’m sketching in my classic Inkline Ridge style, I honestly don’t have much of a process. If I’m referencing a real place, I’ll sketch some primary lines in pencil to get the overall shape and proportions right before I pick up my pens. If I’m drawing a more stylized landscape, I’ll often skip the pencil stage and just go for it.

That said, my process for client work goes much deeper, as I’m generally trying to tell a deeper and clearer story for their brand. There’s a learning and planning process that comes before anything to ensure the artwork is not only beautiful, but conveys the right message and tone to the right audience.

How long does it take to create it?

Nearly all the pieces I post to my Instagram account take 15–60 minutes, though my bigger acrylic paintings on wood tend to take 2–3 hours. Often, my smaller drawings will take longer than my really large drawings because I’ll get lost in the details. Even though my trees are usually just little scribbles, it still takes time to lay down a few hundred.  

What is the biggest obstacle that you have faced?

Four years ago, the agency I was working for went under and I was owed a substantial amount of money when I left. My employers at the time were like family to me, so it was financially and emotionally draining for us. To make things worse, my wife and I had just taken custody of my teen brother and sister when we already had to kids of our own. Our mom had passed away a year before, and their dad had just been arrested. So, overnight we went from raising two small kids to also supporting and guiding two struggling teenagers. Desperate to support my family of six, I frantically grabbed hold of some freelance projects while I figured out what was next for us. Needless to say, this period of transition in our lives was turbulent and testing—much more so than my four years as a Marine.  

What is the proudest moment that you have achieved?

Overcoming those hardships is by far my proudest moment. Not just because I’m proud of myself for pushing through and coming out stronger on the other side, but because I am deeply proud of my family; my wife for lovingly and meticulously managing our crazy family life, and my kids (brother and sister included) for keeping their heads up and moving forward when times were rough.

You have one day to live; how do you spend it?

With my family on mountain trails, exploring this beautiful world and laughing along the way.

How can people get in contact with you?

Social Links:

IG: @inklineridge

Website: Inklineridge.com

Website:  bobgan.com

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Food Art

How do you paint food? (and I’m not asking how do you paint Easter eggs) Using vivid, bright colours, or subtle, muted shades? loose or tight, sketchy or detailed and precise? these are a matter of personal style, of course. The same is true when it comes to the choice of media. These three ladies use their signature styles and watercolour to paint some of Instagram’s most memorable edibles. 

Marina Pravnik @marinapravnikart, from Ukraine, applies a very delicate palette of soft, highly diluted colours to her botanical illustrations. You could say she paints with tinted water – water with a drop of colour – which results in exceptionally graceful, refined compositions with vintage feel.

Another Marina, from Saint Petersburg, Marina Lasaeva Orlyuk @marina_lasaeva_orlyuk, prefers a more illustrative, loose style of painting. Her fruit, florals, still life and landscapes are marked by an airiness and spontaneity of a thorough colour connoisseur, an aesthete predominantly interested in the play of colours, shades and contrasts.


Moscow-based artist Ksenia Tikhomirova @ksyu_t_art is a hyper-realist intrigued by the most minuscule details – the microscopic hairs on a bee, tiny slivers of light under the water droplets, beginnings of the process of oxidation on apple cuts, barely perceivable variations in tones between onion peels… If Ksenia decided to challenge her audience, we’d have a hard time picking the real object vs her painting of it.

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Любите лук?🧅Я только в приготовленном виде или в роли натурщика😁 ⠀ Минус рисования с натуры – приходится дышать ароматом объекта😏Зато казалось, что это пахнет моя нарисованная луковица и хотелось сделать её ещё реалистичнее. ⠀ А вообще с этим луком дурацкая вышла история. Мне не понравилась моя роза (см предыдущий пост), и хорошая бумага #saunderswaterfordpaper как раз закончилась. Ну и я, не долго думая, начала рисовать лук на обратной стороне листа с розой (откровенно говоря, очень часто использую обе стороны бумаги). И тут внезапно появился человек, желающий эту розу купить😮Я согласилась, но вот лук заканчивала с мыслью, что будет у него незавидная судьба изнаночной стороны картины. Это тем более обидно, что мне в кои-то веки понравился результат (процентов на 80%😀). ⠀ Сижу вот теперь и думаю: начинать новую иллюстрацию на обратной стороне пиона, ждать новую бумагу аж до среды или отрезать под ботанику кусок среднезернистого Арша🤔 ⠀ #ksyu_t_botanic __________________________________________________ Do you like onions? I definitely liked to draw it🙂

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Visit Lana’s Instagram gallery @calico.brush

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Watercolour White

Watercolour white is a total conundrum – added to other paints it destroys transparency, one of the most treasured qualities of aquarell art, added on top of watercolour layers does the same, without really whitening the area, layered over white paper remains invisible and useless… so most watercolour artists suggest leaving the white areas untouched, claiming “there’s no white in watercolour, our white is the white of the paper”. But for the white to truly glow, some colours and shades have to be added. Here’s how these three masters solve the problem.

Using the tinted paper and gouache, in addition to watercolour, is the way Marie Silver @marie_silver_36 resolves the dilemma. Marie’s sketchbooks provide a series of wonderful examples, showing how mixing the media can help preserve the looseness and beauty of watercolour, while allowing for a more graphic and concrete presentation.

Evgenya Babicheva Sheglova @evgenyasheglova, master of botanical illustration, has a keen eye for myriads of soft shades of gray, blue, green and yellow found in seemingly ‘plain white’ flowers. In addition, Evgenya manages to find the right consistency of each shade, so the resulting artwork ends up being entirely breathtaking.

Watercolour artist and teacher Stephanie Boechat @stephanie_boechat uses wide tonal range of Payne’s gray and dark blues to shape beautifully loose watercolour painting of a white lighthouse. Leaving the white of the paper on lightest parts, Stephanie adds shades of grey gradually, starting with the most diluted, lightest tone and ending with the most saturated colour in the shaded areas.

Visit Lana’s Instagram gallery @calico.brush

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Forest Black by Anette Sommerset

Thanks Anette aka @ankatsom for taking part in our black and white illustrators’ interview series! 

How long have you been drawing?

 I’ve been drawing for as long as I can remember. As far back as in kindergarten I was mostly interested in painting and drawing. As soon as I had a pen in my hand growing up I started doodling. In 2016 I slowly started to get more serious about it.

What’s your process?

 I always start by making fast sketches, mostly to try out ideas and find a good composition. I have a small book that I use for this purpose.  After that I draw it on a piece of paper using a pencil.  Once I’m satisfied with how it looks I finish it with ink pens. If I decide to draw it digitally I take a picture of the sketch and import it to a drawing program on my iPad.

Digital vs traditional?

 It’s not so long ago since I started to draw digitally. I enjoy it, but I think it’s something special about the traditional way. Somehow I feel more in control when I draw with pen and paper.

How long does it take to create it?

 Normally it takes between 1-4 hours, depending on the complexity and the technique I use. Most of the pieces I make are not very big in size. When drawing bigger I sometimes spend a few days on a drawing.

Is it a hobby or your career?

 It’s turning in to a career, which I’m very grateful for.

Why do you draw?

 Most of all because I love it. I always did and I think I always will. One of the things I really like is to get lost in a drawing. I find it very relaxing at the same time as it keeps me focused. I suppose you could say it’s therapeutic in a way.

What inspires you?

 Nature is my biggest source of inspiration. I grew up in Norway with beautiful nature all around. Sometimes it’s enough for me to go hiking in the woods to find new ideas. I also always liked geometry and patterns. I suppose that’s why I like to combine it with nature in my designs.

What is the proudest moment that you have achieved?

 A couple of years back I made a decision to leave my job and what I considered safe and familiar behind in order to move to another country.  Even it was challenging I knew it was the right thing for me to do, and I know I’ll never regret it.

What is the biggest obstacle that you have faced?

 Working on becoming a full time artist. It definitely takes a lot of effort, but it’s what I feel the most that I want to do.

You have one day to live, how do you spend it?

 I would spend it with the people I love. It wouldn’t matter so much what we would be doing as long as we would be together.

How can people get in contact with you?

Feel free to send me an email or direct message on IG anytime.

Email: ankatsom@gmail.com

Instagram: www.instagram.com/ankatsom

Online shop: www.sommersethart.bigcartel.com

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Interview with architect and illustrator David Bülow

Thanks David aka @bulow_ink for taking part in our black and white illustrators’ interview series!

How long have you been drawing?

Since forever. As a child I would always be drawing, alone or with friends. Even when I didn’t have paper, I’m told I would be drawing in the air with my finger. I still do that, annoying I think. Every schoolbook and later notes from meetings has always been smeared with drawings and doodles. The funny thing is, that I remember conversations and situations better from looking at the drawings than reading my own notes, because my handwriting is so crappy.

What’s your process?

It varies. Sometimes I know excactly what the final result will be, and finish within an hour going straight to ink. Sometimes I do pencil sketches forever to capture the right movement or mood.

Digital vs traditional?

Both and more! I cherish the feeling of paper and pen, the sound and smell. I love that it is irreversible, that it counts. That there is no cmd + z and you have to include your accidental inkdrops or mistakes, or start over. It gives a focus and feeling of presence I sometimes find it difficult to find in the digital realm. For the bulow_ink project I only use traditional materials. But I work a lot from my Ipad and enjoy it as well, for architectural illustration, competition projects I use it professionally with my office.

I am experimenting with photogravure technique these days, a wonderful mix of digital crafts and traditional crafts. I hope to beging sharing the results soon, very excited!

How long does it take to create it?

It’s normally a wonderfully slow thing. Anything between a few minutes and days.

Is it a hobby or your career?

I don’t do hobbies, only passions. I work as an architect and run the architectural office @primus_arkitekter, where drawing by hand is a vital part of my work. The ink drawing is a creative outlet and art project, a place where you can let your imagination run and get lost in the sweetest possible way.

Why do you draw?

I can’t help it.

What inspires you?

I guess we all take inspiration from everything around us. I’m always enjoying people interacting with cities and architecture. Having personal moments in the context of the built environment. The climate crisis inspires me to act and draw, not only in the apocalyseporn-style, but as a way to raise awareness and inspire action. Women inspire me on a daily basis. The elegance and expressions of female gestures. I recently opened @bulow_kink for this fascination.

What are you working on right now?

I am working on a grapic novel on the daily life with bipolar disorder with my girlfriend Tina (who is the bipolar one) – she writes and I draw. The process is posted on insta @the.other.party – it´s a very meaningful process for both of us, to bring awareness and eliminate stigma – and try to have a laugh about it too. I hope you will follow and support it. This project is btw completely done digitally on the Ipad

And then I’m getting started on a book project describing emotions and experiences of urban spaces. I got a grant from the Danish Arts Foundation (thanks btw) to help finding time for it besides my architectural practice. And now made an timeline for the project with my publisher

With my office @primus_arkitekter we´re working on a theatre building in Odsherred, a library and culture house in Viby – and last week we handed in a competition bid for the new headquarters for the Roskilde Festival. Very exciting

Where do you sell your works?

At shows – and I have a webshop bulowink.bigcartel.com and a small gallery here in Copenhagen @blandtandet has several glissée prints for sale. I sell originals only by personal contact – so dm on Instagram for requests

What is the proudest moment that you have achieved?

Here goes a wornout kliché, but nothing beats the birth of my wonderful daughter – though the achievement was entirely my girlfriends

What is the biggest obstacle that you have faced?

If we overcome the basic obstacles like getting out of bed, providing food, staying healthy, multiplying and in general being a decent person – the biggest obstacle often proves to be your own ego.

You have one day to live, how do you spend it?

I’d rob a bank and invite all my friends to restaurant Niu in Miami or a teppanyaki place in Tokyo for a night of tasting, laughing and drawing. No doubt. Ought to do it before it’s my last day though.

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Wet-in-Wet Magic

We all know watercolour wet-in-wet is the best thing since discovery of the hot water – no question about it! Even though this beautiful technique simply boils down to adding (wet) paint to the wet surface, one needs to understand how wet, how much paint, when to stop and how exactly to direct the delicate play of colours, in order to create something magical. The following three masters of the technique should be used as an example!

Interior designer and watercolour artist Alla Kontsedaylova @allakontsedaylova from Belarus paints the most breathtaking florals. Vibrant yet airy, saturated yet transparent and light, clearly recognizable but still deliciously loose, as if not made by the human hand. Most definitely the complete mastery of wet-in-wet technique, in addition to Alla’s outstanding sense for tonal range and entrancing colour combinations.

Jane Davies @janedavieswatercolours, based in UK, provides a gallery of equally flawless artwork. Specializing in pet portraits and British wildlife, Jane paints magnificently loose animal portraits and the fluffiest birds of pray. Jane also teaches the art of loose painting and watercolour flow and, in her Daniel Smith step-by-step tutorial, suggests you “need to be a fairy in big boots” – “bold of heart and light of touch” when painting. 

Canadian artist Dawn Wood @watercolourjoy, just like all the wet-in-wet masters, seems to create paintings by pure magic, without brushes or ever touching the paper. Dawn shows enviable skill in her free-flowing florals and the entire family of enchanting kitties, birds and wildlife, but her ability to suggest shapes forming out of sheer splashes of watery paint is most obvious in her ethereal landscapes.

Visit Lana’s Instagram gallery @calico.brush

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Lucid dreams and psychedelic experiences by artist Aleks Nocny

Thanks Aleks aka @aleks_nocny for taking part in our illustrators’ interview series!

How long have you been drawing?

I’ve been sculpting, painting and drawing probably 13 years now. Sculpting was probably the first thing I’ve done when I was a kid and that how it started. Growing in poor country like Ukraine in late 80’s you don’t have many toys, so you creating them. You have to travel to fantasy world to have fun and enjoy your life and see some colour surrounded by grey and old buildings and sadness of communist country. I was always been interested in art, drawing and creating -out of clay, wood, whatever is playable. Illustrations and tattoo designing also tattooing is my full time job now.

What’s your process?

I usually work and create at night. I can’t focus at daytime, so always waiting for a bit of darkness behind the window. ‘Noc’ in Polish means ‘Night’.:) 

Depends what I do, but always starts from green tea or weak coffee and music or podcast. I’m really into a Terrence McKenna podcasts and his voice always calms my mind down and let me open for whatever is coming to my brain:)

Digital vs traditional?

Most of my drawings are digital now, I think if someone create that super tool like Ipad to make artist life easier, why not. I still respect hand drawing and doing it from time to time, but my tattoo design are all done digitally. It’s just easier and quicker. Still love smell of paper or acrylic pain, even unpacking of blank new canvas still give me a smile.

How long does it take to create it?

Depends what and how deep I want to go with it. I love detail, in illustration, tattoo designs, my paintings or sculptures. Every different think I do taking different amount of time. Sometimes I start and finish something month or year after. 

Is it a hobby or your career?

My hobby is my career..I love everything I do and I still having fun if I can create an illustration, funky drawing, new print , sculpture or T-shirt design. I feel like very important in my life is to finish what I started,that gives me energy to start creating something new. I like how thing are growing around me, my followers, my customers, sales etc, but also I like to see my stuff around, like paintings or sculptures, like to be surrounded by things I do. It doesn’t mean I like it all, but it reminds me that I accomplish something and didn’t give up.

Why do you draw?

I can’t imagine to do anything different that create art. Art is big part of my life and its something I’m focusing on most of my time.I don’t have kids or wife who will be distract me, I got all time for myself and thats why I do. Life is too short for sitting in front of TV and live other people’s life. My way of joy in life is to create. That’s why I do so many thing because I’m still looking and trying new things.

What inspires you?

I always liked fantasy, mythical creatures and stuff like this. Recently my stronger inspirations are visions from my lucid dreams and psychodelic experiences I had. I’m not ashamed of that than I use ‘drugs’ sometimes, but its all come from nature and if I can connect with nature and experience and see new things that I never seen before, why not. 

What is the proudest moment that you have achieved?

Probably my proudest moment was when my mural design won the competition and it was painted on massive wall in the town centre where I lived. My town organised a competition for artists to design mural in memory of one of the popular Polish artist. My design been selected with 2 others and they let the whole town vote. I won..That was the best feeling I had for very long time, still proud of that, even that wasn’t very creative design..:)

What is the biggest obstacle that you have faced?

Probably trying to live and create in Norway. I love the country and I will definitely come back there one day. My language barrier and the way how nobody wants to talk to you seriously because you don’t bark in Norwegian language. That was couple years ago and probably lots of things changed, but I never feel so uncomfortable and useless in my life, so spent time traveling instead:)

You have one day to live, how do you spend it?

If I only have one day to spend, I will probably do everything I can and go and see my Mother and spend some time with her. She live in different country and we don’t see each other very often. So that what I will probably do. Riding a full speed on motorcycle, sniffing coke from silicone tits and gambling with unlimited amount of money will do after death or in another life:)

How can people get in contact with you? 

My instagram is: @aleks_nocny

My new arty insta page is: @nocne_mary

My little Etsy store is: www.etsy.com/uk/shop/nocnemary

Featured

Traditional to Modern

Digital, collage, mixed media… are only few of the ways classic illustration, art and design is transformed from traditional to modern, contemporary artistic vision, with unique perspective and creative mark of each individual artist. The following three British artists have made these transformations singularly stylish and exceptional.

  
Katie Scott @katiekatiescott is a well established anatomical and botanical illustrator from London, with a number of published books, including The Story of Life: Evolution, Animalium and Botanicum. Drawing inspiration from traditional medical and botanical illustration, and using science as a springboard for her art, Katie creates brilliant digital spreads of flora and fauna, which The Guardian art gallery featuring her work, aptly calls ‘psychedelic’. 


Collage artist, surface pattern designer and illustrator Clover Robin @clover_robin, based in London, England, “delights in nature and all things botanical, inspired by a childhood of woodland walks, countryside rambles and fossil hunting by the sea”. Using acrylic, gouache and colored pencils, Clover creates stunning patterns and textures for her prints and collages, ranging in subjects from flowers and vegetables, through still life and landscapes, to animals, birds and interiors.


A dedicated people watcher, Angela Smyth @angela_smyth_artist, is a self-taught professional artist based in West Yorkshire, with a keen ability for abstraction which, paired with her bold use of flat colour, results in strong graphic interpretation of what seems like the very essence of the subject. Angela’s people, animals, ships and towns have an allegorical and emblematic quality. According to the artist herself, Angela’s cityscapes “always have something hidden in them (…) an element to my work that isn’t obvious”. 

Visit Lana’s Instagram gallery @calico.brush

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Nadine Safa’s graceful illustrations

Thanks Nadine aka @vuvie__ for taking part in our illustrators’ interview series!

How long have you been drawing?

I have been drawing since I could hold a pencil. I chose to study Graphic design because I always knew I wanted to pursue a creative career in which I can use my illustrating skills. I worked for a packaging design studio, and I would hand draw whenever I got the opportunity and was lucky enough to illustrate for some major brands!

What is your process?

I sketch loosely until I am happy with the concept and composition. I mix and test my colours and create my colour palette. I then re-draw with clean light lines onto good quality watercolour paper and paint away!

Digital or traditional? 

I love and enjoy both, however personally I have more of an appreciation for traditional. I enjoy the challenge, of creating by hand a texture or effect rather than have a digital brush do it for me. It’s a lot harder to fix mistakes and you can’t just tap two fingers to undo! So it definitely gives me more of a sense of achievement or accomplishment. Which is a great feeling and one of the reasons I enjoy painting so much.

I also feel like traditional is a whole experience in itself. Mixing paints, the smells, the textures etc. it’s much more enjoyable and fulfilling to me.

How long does it take to create it?

I like to paint with a lot of detail! so it takes quite some time. I also parent my two kids solo for a few months at a time, due to my husbands work travels. So I’m limited to painting only when they’re asleep as they are still pre-schoolers and need a lot of attention and care. 

Is it a hobby or a career?

At the moment it’s a hobby as my priority is my children until they’re in school and I have some more time to commit to it. I’m currently in the process of setting up an online store. The plan is to start selling some high quality art prints and see where that takes me!

Why do you draw?

I always drew because it was something that I loved to do, something I felt good at which made me happy. However, after having children my reason to draw changed and my art evolved and found its purpose. 

Motherhood transformed me and nature awakened me and my art became almost like a spiritual practice. I felt excited to translate the way nature made me feel into art, and try and spread that feeling to as many people possible. I also like to paint with the intention of raising awareness to climate change and protecting nature/oceans/wildlife whenever I can, and inspire others to want to make a change.

What is the proudest moment you have achieved?

My proudest moment in my personal life would be having my two daughters, parenting has taught me a lot about my self and my strengths.

My proudest moment in my career would’ve been seeing my illustrations on a whole range of LUX products in Japan, and also on some other major supermarket brands. It was such an incredible feeling seeing my art on supermarket products and store shelves!

What is the biggest obstacle that you have faced?

In terms of my art and skill, I guess my toughest obstacle was to silence my inner critic and believe that my art is good enough and worthy of being shared.

What inspires you?

Nature is my greatest inspiration. I have always been drawn to nature. However, it wasn’t until I noticed how my toddler (at the time) was so curious and fascinated by a flower, or a leaf. That I began to look a lot closely, just as she did. And I started to see all of these incredible details and all of a sudden it was so much more than a flower, it was like a living work of art and I became mesmerised and I really connected with Mother Nature on a spiritual level. 

How can people contact you?

People can contact me on my Instagram page @vuvie__ or email me on vuvie.creative@gmail.com.

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Painting Mushrooms

There’s a million and one way to paint a subject, mushrooms included (mushrooms, perhaps, in a million ways more than any other subject, given their sheer variety).

The following three Instagram artists, each in their own way, have created a beautiful tribute to the simple little mushie.

Australian illustrator Karen Colenso @karencolenso has a very special touch when it comes to all things botanical. A true watercolour master, Karen never fails to bring the best qualities of the medium to the fore: transparency, fluidity and softness which, paired with her drawing skills, results in some of the most magical, airy, brilliant artwork. Karen’s whimsical collection is just as charming and equally precious. 

Madalina Tantareanu @madalinadraws, a Romanian graphic designer and illustrator based in Berlin, uses mainly ink and watercolour to tell her stories. Distinctly graphic in nature, her illustrations are very often monochrome and highly detailed, as well as decorative. Madalina focuses on small creatures, botanicals, birds, forest animals, and on nostalgic renderings of cityscapes.

Born in Brazil, Brunna Frade @brunnafrade.art lives and paints in Mantiqueira Mountains, so it’s no wonder nature, spirits of the forest and of the mountain are the main source of her inspiration. According to Brunna, she illustrates “affection, dreams, memories, places” and everything else her imagination conjures. Using watercolour as her main medium, Brunna paints delightful portraits, in addition to flora, fauna, mythical beings and esoteric objects.

Visit Lana’s Instagram gallery @calico.brush

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Nanna Boegekaer’s eclectic illustrations

Thanks Nanna aka @littleboegekaer for taking part in our black and white illustrators’ interview series!

How long have you been drawing?

Since 2012/13, I think. I started late!

What’s your process?

I just draw whenever I get an idea really. It’s an urge most of all. I don’t really get the process but it feels magical at times.

Digital vs traditional?

Oof. Traditional is my first love but digital is growing on me.

How long does it take to create it?

Anything between five minutes and days.

Is it a hobby or your career?

It’s become a lifestyle for me. It’s become so integrated in my daily life that it’s just something I do like getting out of bed.

Why do you draw?

Because I don’t know how not to.

What inspires you?

Often it’s people. They put me in a certain mood, or say something that gives me the urge to create something. If I meet someone interesting, I often get a lot of ideas.

What is the proudest moment that you have achieved?

A tie between having drawings published in a book this year and starting my business back in 2016 when I was just 20!

What is the biggest obstacle that you have faced?

Letting people in.

You have one day to live, how do you spend it?

I’d hug everyone I love, eat my favorite things, listen to my favorite songs, and then I’d go see the ocean – maybe even going for a swim.

How can people get in contact with you?

Messages on Instagram are always welcomed! But I’m on Facebook, Twitter, and Tumblr as well. Email is okay too! Also wont stop you if you send a bird.

Links for social media:

https://www.facebook.com/littleboegekaer

https://twitter.com/littleboegekaer

https://littleboegekaer.tumblr.com/

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… in case you need it. 💛

A post shared by Nanna Bøgekær (@littleboegekaer) on

Nanna, her desk where she works, two pictures of her home – one where she lives in Copenhagen-ish and then one where it’s more possible to see that it’s Copenhagen, her dog (her name is Poe!), and then the view from where she live with her beloved plants! Aso, Toulouse, her second home

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The Art of Sketching

How quickly can you paint something, giving it shape, volume, texture and colour, thus making it instantly recognizable, without getting bogged down in unnecessary fluff and the grip of perfectionism?

The art of sketching is going through a major revival, thanks to the permanent appeal of the fresh, uncluttered, intuitive artwork that allows the viewer’s eye to complete the picture on its own.

The following three Instagram artists are certainly among the masters of the art form. 

Australian architect and artist Liz Steel @lizsteelart is a self-professed “obsessive sketcher”. From her daily and weekly menus, through the urban scenes, landscapes, illustrations of her colour palettes and art tools, all the way down to portraits, Liz sketches her life journey with a passion and zest of a true art lover. Famous for her masterful collection of teacup sketches, Liz teaches both live workshops and online, at SketchingNow.com and her website.

Jennie Kessinger @jennie_kessinger, based in States, is another passionate sketcher, dedicated to daily practice of the art. Using mainly watercolor, ink and gouache, Jennie fills her growing collection of over 50 sketchbooks with urban sketches, scenes from her road trips, interiors, drawings and illustrations of animals, plants, food, drink, landscapes and virtually any and all objects that land in her field of vision. 

Lisa Livoni @lisalivoni from Portland, Oregon, is a well-established watercolour artist, with a number of solo exhibitions throughout USA under her belt. Although not necessarily a sketcher, Lisa’s intuitive, loose and wonderfully vibrant art is marked by the spontaneity and freshness of a skilled master. Using botany as her main subject, Lisa’s brush never adds a single stroke more than is absolutely essential to create a brilliant work of art. 

Visit Lana’s Instagram gallery @calico.brush

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Inky Monochromes by Ellie Morris

Thanks Ellie aka @elliemdesign for taking part in our black and white illustrators’ interviews series! 

How long have you been drawing?

Since I was a tiny human. I’ve always been more practical than academic, much preferring to hold a paintbrush or put on a pair of running shoes than pick up a practice test. 

What’s your process?

Sketch, question it, re-sketch and question it again. I can sit on an idea for six months or I can picture an idea immediately, there is no in-between.  

Digital vs traditional?

Pen on paper is unbeatable, but my finished work is completed and produced digitally.

How long does it take to create it?

It varies, from a few hours to a couple of days, totally dependent on the design.

Is it a hobby or your career?

Both. I work full time to pay to live, freelance to build my portfolio (& buy that takeaway occasionally) and then I create for fun too. 

What inspires you?

A mass of things: nature, space, architecture, etc. The artists I follow, they are all incredible & inspiring. 

What is the proudest moment that you have achieved?

The week I consumed 2.5kg of Nutella? But truthfully, it’s seeing my work out in the world. Nothing is better than helping people or making them smile. I was lucky enough to work with a musician on t-shirt illustrations that raised over $10,000 for a U.K charity; his supporters are incredible.

What is the biggest obstacle that you have faced?

Like many, I struggle with my mental health everyday. After University I was at one of my lowest points, with unsupportive staff & suffering family loss, my anxiety levels & self-belief were extremely poor. I still wonder whether or not I am good enough for this community however my Nan always told me to try my best because it’s all you can do, just don’t give up. Those are the words to live by.

You have one day to live, how do you spend it?

With family, trying to drag them on a flight to New York. It’s a place I have always wanted to go. 

How can people get in contact with you? EmailInstagram or Twitter. I work on custom projects from branding to packaging, to one off prints and tattoo designs.

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Sketchbook Magic

Ask watercolour artists about their favorite art supplies and you’ll get many different answers – from preferred brushes, paints and paper, to absolute must-have palettes, white pens or masking fluids. But one thing we all love and have in common, which is often not mentioned, are sketchbooks. There’s something magical about sketchbooks, like painting your own journey and leafing through your most uplifting dreams. The following three artists fully illustrate that appeal. 

Kristina Gavrilova @xtina_gavrilova_art, based in Russia, paints deliciously loose urban scenes, architectural elements, intricate street lanterns and florals. Transparency and luminosity of Kristina’s watercolour are precisely the qualities that make this medium ever-popular, and unique perspectives and compositions of her paintings bring her artwork to the fore. Leaning towards the cooler side of the colour wheel, Kristina mostly reaches for soft purples, pinks, blues and greens. She also teaches the art of watercolour on Skillshare and on the Russian Master Classes website. 

Slovenian artist Sara Kajba @moonchildillustrations uses watercolour, markers, coloured pencils, acrylics and other media to create unique stories and characters. Distinguished by the rich autumnal palette, with rusts, oranges, reds and earths dominating her work, Sara’s art is an imaginative combination of the classic children-book style illustration and manga-inspired art. Sara also loves to “draw with you”, inviting you to give her prompts for the new characters and sketches.

Half a globe away, in USA, Abigail Halpin @abigailhalpin illustrates books, creates patterns for fabrics, saws, embroiders and paints using mixed media and collage. An artist and crafter, Abigail draws inspiration from folk art, mystery novels and vintage textiles, among else and, in turn, presents a wealth of inspiration herself. In addition to paintings, sketches and patterns, Abigail’s Instagram gallery features playfully illustrated quotes, various objects painted by hand (including flower pots, Christmas decoration, Easter eggs, fall leaves and Halloween pumpkins), as well as memorable pages from her sketchbooks.

Visit Lana’s Instagram gallery @calico.brush

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Renata Krawczyk’s Patterned Blacks

So excited having here Renata Krawczyk aka @rena.illustration aswering a few questions about her work. Let’s start the questions!

How long have you been drawing?

I have been drawing ever since I can remember; with different consistency though. For three years now drawing consumes most of the time. 

What’s your process?

When an idea springs to my mind, I start with a quick sketch. Then I change it to a bigger format. When I have a draft, I fill it with details, piece by piece.

Digital vs traditional?

Both forms. The black and white works are made in traditional way though. With ink and technical pen.

How long does it take to create it?

It depends on a format. I like to have time to think the work through. I don’t like being in hurry.

Is it a hobby or your career?

I have always view it as hobby, but ever since I receive commissions for an illustration, it has become something more than just a passion. 

Why do you draw?

I don’t know. I love it. It is like an addition, when an idea springs to my mind, the thoughts to draw it are haunting me until I start drawing. Later on there is only euphoria that comes from the drawing process and curiosity for final effect.  

What inspires you?

I keep my mind and eyes open on everything that surrounds me, because sometimes the most  

What is the proudest moment that you have achieved?

I hope that moment is still ahead. 

What is the biggest obstacle that you have faced?

I face some negative thoughts that I may be not good enough but I think every artist feels this way sometimes. 

You have one day to live, how do you spend it?

I would like to remain unaware of the fact that this is the last day.

How can people get in contact with you? 

I don’t have a web site yet, but I’m working on it. So you can contact me via Instagram @rena.illustration .

Renata, her cozy office, her office stuff, her plants, her books, her coffee stuff 🙂

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Earth Art

Plastic may have been all the rage in the sixties (was it? ever?) and microwave & dishwasher-safe uniform mugs and dinnerware might still be the most prudent choice but I, for one, can never resist the earth art – the rustic, hand-made, hand-painted, one-of-a-kind ceramics.

Australian artist Madeline King @earth_darlings stretches the boundaries and brings the art of shaping and painting clay to household objects which are most often made from everything but clay. In addition to traditional earthenware, like flower pots, beads and bowls, Madeline also makes the most adorable table and pendant lamps, ceramic mobiles, pendants from recycled, re-shaped and re-baked clay, as well as utensils, including ceramic spoons with driftwood handles.

Didem Firat @didemfiratceramics, based in Ankara, Turkey, sticks with more traditional ceramic dishware, with accent on colour, pattern and the uneven, rugged feel of handcrafted pottery. Didem mixes hand-painted stripes, dots, grids and other abstract patterns with botanical and stylized florals. The folklore motifs, line art markings and the use of ancient symbols on her vases, bowls, pots and mugs, make Didem’s ceramics uniquely fresh and appealing.

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😍🐌 #photooftheday

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Carly Buteux @itsapublicholiday makes ceramic vessels and objects under the Public Holiday brand, based in Sydney. Placing an emphasis on the simplicity of form and graphic accents, Carly’s pottery is also distinguished by the thick, juicy glazes dripping over the rims and markings thus creating rich, saturated layers of colour and sheen. In addition to the luscious turquoises, blues, aquas and greens, Carly’s deep earth tones – ocher, bronze, umber… the whole gamut of browns, from beiges, through red browns, to warm blacks – simply make you want that coffee right now, and right in there, in one of her handmade mugs!

Visit Lana’s Instagram gallery @calico.brush

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Minimalist & geometric art by Al Stocker

Thanks Al aka @al_stocker_draws for taking part in our black and white illustrators’ interview series!

How long have you been drawing?

I have always loved art since I was a young boy but I didn’t start drawing more until November 2017. I decided to start a daily challenge to try and improve and I haven’t stopped since.

What’s your process?

I start by sketching up my initial ideas on paper or any sketchbook I can find. I then take that idea and transform it to a really awesome Fine Grain Heavyweight paper that I use for all of my final drawings. I use a variety of Uni Pin and Rotring Fineliner Pens from 0.03 for fine details up to 0.3 for the outlines. The details tend to be a mixture of straight lines or stippling.

Digital vs traditional?

I enjoy experimenting with digital but I love traditional! With digital work you can erase something whenever you like but traditional drawing really tests you to take your time on each line. It’s not so much fun when you make a mistake just before finishing a design which I’ve done a few times but that’s part of the process of learning and getting better. 

How long does it take to create it?

Each drawing generally takes between 2-7 hours depending on how detailed it is.

Is it a hobby or your career?

I currently draw in my spare time and work full time in another job. I would love to make this my career one day. To be able to work on my passion every day would be incredible.

Why do you draw?

I find drawing is the best way for me to relax. Along with playing guitar, It’s my favourite way to switch off from the noise of life and be present in the moment.

You have one day to live, how do you spend it?

With my closest friends and family exploring Yosemite National Park. I haven’t been before and it’s one place that I would love to visit before I leave this world. Maybe I could do a drawing while I’m there 🙂 

How can people get in contact with you? 

Please send me an email to alstockerdraws@gmail.com or through one of my social media links.

New 2020 Store: www.alstockerdraws.com
New Patreon- https://www.patreon.com/alstockerdraws

Featured

Art Imaginarium

Art and imagination are almost interchangeable terms, but even though art can hardly exist without imagination, in some cases the connection may not be entirely obvious. With the following Instagram artists, however, there can be no dilemma – their work, each in its own way, is marked by oodles of creativity, turning daily and common into art.

Norwegian artist Linda Bruvik @linda.bruvik_illustration, paints scenes from nature and daily life with great attention to detail. The intricate patterns and markings on her characters’ bed throws, shawls, rugs and hair, as well as forests and backgrounds, add interest and charm to Linda’s art. Mostly figurative, Linda’s illustrations feature clean lines, skillful use of colour and, just like the artists featured below, abundance of creativity.

Nicola Gregory @nicola.e.gregory, a UK artist, carries her watercolours from Caribbean to Tuscany, from her native Wales to the South of France. Named one of the first Royal Watercolour Society’s CWC Ambassadors, Nicola paints bright flora, still life, scenes from her travels and Christmas-inspired pieces, among else, with blissfully loose wide brushstrokes and juicy, brilliant colours. 

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Flowers

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Another Norwegian, Anja Andresen Waage @my.artjournal reveals she’s inspired by ‘life’s small moments’ and her surroundings. Using watercolour, acrylics and mixed media, and a predominantly soft, pastel palette, Anja paints chubby mermaids, angels and birds, portraits with lush floral crowns, sweet butterflies, bunnies and bees, voluptuous bathing beauties, and a lot more.

Visit Lana’s Instagram gallery @calico.brush

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Magic and nature art by Ewa Skuta

Thanks Ewa aka @ewart for taking part in our black and white illustrators’ interview series! 

How long have you been drawing?

As a kid and teenager I used to draw and paint a lot, but then I had over 10 years of break. I have started again 4 years ago.

Whats your process?

The first step is choosing the right paper as I love to experiment with craft, handmade, toned, cotton papers etc. I also spend a lot of time on searching for good reference photos of animals, trees or silhouettes. Sometimes I use my own photos too. Then the pencil sketch – sometimes I have to repeat few times before I achieve a satisfactory result. When I am ready it’s time for inking or watercoloring. Pure fun, I can do it for hours.

Digital vs traditional?

For now only traditional.

How long does it take to create it?

From 2 to 10 hours. Only a few pieces in my portfolio took me longer.

Is it a hobby or your career?

Art is life:)

Why do you draw?

When I draw I am myself and happy. I also think that the world needs art, not only visual, but also music, books, poetry. They can trigger so many beautiful emotions: delight, admiration, joy, sentiment. The act of creating is also an incredible, spiritual experience.

What inspires you?

I have many of interests, but mostly I am inspired by nature, music, magic, also ancient symbolism. I hardly ever have problems with the new ideas, they come one by one while the process of creating.

What is the proudest moment that you have achieved?

When the Blackworknow featured my work 🙂

What is the biggest obstacle that you have faced?

I try to keep optimistic and not to remember about obstacles. I am thankful for all opportunities I meet in my life: thanks to social media I can show my art to so many people, I sell my pieces, I can work from home.

You have one day to live, how do you spend it?

If I could choose I would see the mount Fuji – one of my biggest dreams. Then I would go to a party:)

How people can get in contact with you?

My email address is ewaskuta.art@gmail.com. Feel free to write!

Ewa 🙂

Also Ewa with the pilgrim statue after doing her Camino de Santiago way

A view of Silesia, the place where she lives.

One of her favorite places: the Silesian Museum in Katowice

Ewa likes to travel – this photo was taken in Norway. 

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Kristina Kemenicova, Illustrator, plant addict, greenhouse lover.

Thanks Kristina aka @kristinakemenikova  for taking part in our illustrators’ interview series! 

How long have you been drawing?

I am Kristina Kemenikova. I live in Slovakia. I am a self thaught illustrator. I have been drawing and painting since I was a child. I used to paint a lot with my dad. I only started to paint illustrations 3years ago and I really love it.

Digital vs traditional?

I use traditional methods as aquarell but I also paint digitally too on my IPad.

What’s your process?

It all starts that I imagine a picture how I would like it to look like and than I sketch it but I only do rough sketches and than I start to paint.

How long does it take to create it?

I don’t really follow how long does it take as when I am painting everything else stops for me and I only concentrate on the painting.

What inspires you?

I love to paint plants and forest animals with human elements let it be either some human character or human activity. I think it is so lovely to show human activities thru these beautiful furry little creatures. Many of my paintings are related to plants as I am a big plant lover. My parents are gardeners so I can say literally that I grew up in a greenhouse and from my young age I was always working with plants. I also love to make illustrations for ecological topics as that is very close to me and I feel that it is very necessary nowadays to talk and inform people as much as we can about environmental problems and changes what we can do four our planet.

Why do you paint?

I paint because it’s such a big part of my life that I can’t imagine even a day without painting let it be only doodling at my desk but I just love it. I also love making ceramics.

What is the proudest moment that you have achieved?

The proudest moment that I have achieved is mmmmm actually I don’t know but I love to help and when I was small (I still do it now haha) and I saw a bee drown I would get it out of the water and gently blow it wings to dry it so it can fly away and I was always proud that I saved someone’s life. 🙂

What is the biggest obstacle that you have faced?

The biggest obstacle or I would say rather the biggest lesson so far in my life was when I broke up with my fiancé and that experience changed my life at all. I have realised so many things in a positive way that I am really thankful for this experience in my life, I believe that without it I wouldn’t be the same person as who I m now. 

You have one day to live, how do you spend it?

If I had one day to live I would spend it with my family , my dogs and friends as they mean a world to me but I would also just spend some of it as I do it every day and that’s being in nature and listening to nature. I love when I hear the wind blowing, the sound of the sea, the silence when it’s full moon or when I watch the stars. I m soo thankful for these moments and I thank for them every time I can experience these beautiful moments. 

How people can get in contact with you? 

I have a web page www.k-bbf.com but most of my work is posted on my Instagram account @kristinakemenikova 

Kristina with the first book she has ever illustrated.

The cottage where she lives, it’s an 150 yrs old cottage and its her little fairytale bungalow. 

Kristina’s parents greenhouse, one of her favourite places.

Her dog Lilly, her little daschund pups. She has two daschunds and two german shepheard dogs. Her kitties 🙂 she has 4 kitties.

Vegan cake she has made and also photogrpahed (she loves foodstyling ) She loves plant based food. 

Her flowers zinnias. She plants loads of flowers every year so all the butterflies, bees and insects have a flower field.

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Winter Botanicals

Winter is in full swing on this side of the Earth and winter botanicals are very much in. The following Instagram artists, with their unique perspective on the subject, are my choice for this week.

Clare and Josh, a young couple behind Forest Culture Design @forestculturedesign, have established a brand which merges the woodworking shop and an art studio in the best possible way. Inspired by nature, the couple’s creations include wall art (prints and original paintings), hand-painted wood ornaments and DIY kits. They also teach a Skillshare class on mastering the gift wrapping art.


Chilean graphic designer Viviana Gonzalez @vivigonzalezart pursues a wide range of subjects, from abstracts and landscapes, to portraits, still life and botanical sketches. Spanning from monochromatic to multi-colour, from vivid to earthy, geometric to organic and minimalist to ornate, Viviana has created a lavish tapestry of art explorations.

Illustrator based in Russia, Anna Bezgodova @bezgodova_  must have a shelf full of wonderful sketchbooks, brimming with captivating urban sketches, maritime drawings, studies of a wide array of objects and botanical illustrations. Anna’s mastery of pen and wash technique, as well as her keen eye for an immersive perspective, result in some of the most interesting, graceful work.

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Как начать с темы челленджа @electric_mirror , перейти (не по ссылке , нет)на мятые коробочки физалиса , попытаться хоть как то отснять нарисованное , и не сойти с ума?!Кажется я начинаю понимать людей , которые с уверенностью утверждают , что все художники -шизофреники.Пару дней (недель)в таком темпе и до большой психиатрии недалеко в принципе ) Ну а если честно , то честно попыталась нарисовать комок бумаги .Но меня на первых двадцати минутах скрутило в такой же комок и я отправив подальше бумагу с лёгкой душой(не в школе же )схватила эти засохшие коробочки , что манят меня постоянно .Тем более денёк такой яркий . А я челленже я обязательно поучаствую .Только надо ,что б тема по душе была .А то эта мятая бумага мне с академических времён ещё памятна не самым лучшим образом#акварельныйскетч #акварель#гелеваяручка #скетчбук #скетч#ботаническийскетч #ботаническаяакварель #набросок #этюд#пленер #pleineir #botanicalsketch #botanicalillustration #watercolor #sketching #graphik #illustration #аннабезгодова

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Visit Lana’s Instagram gallery @calico.brush

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An interview with illustrator Alan Gehri

Thanks Alan aka @alangehri for taking part in our illustrators’ interview series!

How long have you been drawing?

I started to seriously draw in March 2019, a few months later with china ink.

What’s your process?

First of all I never start to draw unless I have a clear idea of what I want to do, once I had an idea I simply developed it in pencil and immediately after the ink.

Digital vs traditional?

Traditional is more satisfying!

How long does it take to create it?

Generally it takes about 1/4 hours to complete a drawing, once I start I finish it, I never leave things in half.

Is it a hobby or your career?

For me it is a hobby in all respects, I don’t think I will make it a career in the future. we’ll see!

Why do you draw?

The only way to express feelings and be interpreted simply by looking.

What inspires you?

Whatever I see I feel or live in person!

What is the proudest moment that you have achieved?

Find out that there are people who really care what I do.

What is the biggest obstacle that you have faced?

I think it was finding a style that satisfied me, as well as managing my IG page.

You have one day to live, how do you spend it?

I think I will spend my time alone smoking on my balcony.

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The paper sky of illustrator Lucia De Marco

Thanks Lucia aka @lucy_inthe_papersky for taking part in our illustrators’ interview series!

How long have you been drawing?

I used to draw since I was a child, I don’t remember a time in my life without colours and pencils in my hands.

What’s your process?

I start looking for pictures that inspire me: mostly photos, paintings, and illustrations. Then I create a lot of sketches with pencils. When I’m satisfied, I jump into painting with watercolors and gouaches. When the picture is done, I usually scan and fix it in photoshop.

Digital vs traditional?

I say traditional. Despite the incredible possibilities of digital painting, it can’t be compared with the warm and the energy of traditional techniques.

How long does it take to create it?

It depends on the complexity of the picture. The work may take an hour or some days
Is it a hobby or your career?At the moment illustration is my job. It’s hard to live of it, so I’m still trying to improve my career.

Why do you draw?

I draw instinctively. It’s a way to survive bad things of life. When I draw I feel secure, comfortable, at home. Art is my safe place.

What inspires you?

I get a lot of inspiration from nature and from the little pleasures of life: a walk in the park, a cup of tea in a nice bistro, old and vintage stuff and everything is cozy and kind.

What is the proudest moment that you have achieved?

I’m still waiting that moment, I’m very critical on myself and my work, so I use to think about what I could have done better, even if I think it’s a good job. Of course I’m feeling proud of myself at this moment mostly because I live on my own thanks to my art and passion!

What is the biggest obstacle that you have faced?

The real obstacle is to explain to other people that you’re doing a real job. You’re still considered “crazy” or “bizzare” if you want to pursue an artistic career.

You have one day to live, how do you spend it?

Of course all the time with people I love.

How people can get in contact with you?

You can find me on ig as @lucy_inthe_papersky!

Web: luciademarcoillustrazioni.com eMail:luciademarco93@gmail.com

You can contact me for commissions, sale prints, collaborations, and custom designs!

Lucia at her desk

Lucia’s workstation

Featured

Little Things

A very happy New Year to all Blackwork and Illustration Now friends and readers!

While some artists are inspired by large canvases, open spaces and wide brushes, the following three draw our attention to the little things – making marks in their sketchbooks, planners and on calendars, working on small daily art pieces and doodling on book margins.


Cécile Metzger @coucou_illustration is a well established French freelance illustrator, currently living in Italy. Cécile creates magic using watercolour, pencils and even embroidery. Recognized and commissioned by some of the greatest names in the industry, Cécile’s artwork is marked by a distinct charm of innocence and lighthearted fun.

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Dear friends, How are you today ? It was supposed to rain all day here but we haven't seen a single drop yet 💧 For those of you who watch my stories, you might have seen some of these little guys there. Yesterday, I finally found a big art shop here (until now I had only found two very small ones, and they didn't have much choice), and I bought myself two bottles of @sennelier ink ! An Indigo blue, and an opaque white. And… I fell in love ! I spent the entire afternoon yesterday and the morning today filling a spread of my sketchbook with them. It had been such a long, long time since I had so much fun doodling like this ! So freeing and relaxing. I don't know if they really "fit my style", I usually use warm colours, but I loved the spread too much not to include it here… So here it is ! I hope you like them – if you do, you can go to my stories and find phone wallpapers I made for you ! Just a teeny tiny thank you for your support lately. It means so much. I know I keep saying this but I mean it everytime. Thank you, thank you !!! You are wonderful 💙 I hope this Thursday is kind to you, bringing you smiles and happy moments. I send you all my indigo love, warm tea and soft music, Cécile #coucou_illustration #illustration #illustrator #animals #props #ink #painting #sennelierink #objects #indigoink #pansies #indigo #blue #wip #chat #mossery @mosseryco

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Maria Carluccio @carluccio7, American artist based in Ohio, teaches illustration at Columbus College of Art and Design. Maria paints and posts daily on Instagram – something that was meant as a personal challenge, and turned into a fresh perspective on art-creating process. You can sense the joy of creation in Maria’s art, with each piece bringing that enthralling feeling of still-wet paint, playfulness and spontaneity. 

Canadian artist Shayda Campbell @shaydacampbell believes “creativity is play – everyone can do it!” and proves her point on her YouTube channel, where she posts tutorials twice a week. Mostly inspired by the botany, Shayda shares her ideas on creating airy drawings and paintings, greeting cards, hand-painted cutouts, as well as art journaling and decorating planners and calendars. 

Visit Lana’s Instagram gallery @calico.brush

Featured

An interview with pen and ink artist Jason Limberg

Thanks Jason aka @jasonlimberg for taking part in our black and white illustrators’ interview series!

How long have you been drawing?

I have been drawing for as long as I can remember. All through school my focus was more on doodling in my sketchbook then any class work. I feel lucky to always have had people around me to encourage this urge to create and allow for my growth as an artist.

What’s your process?

Good question! I typically start a drawing with one or two ideas, like say an owl with a lantern. I don’t like to make a lot of preliminary sketches as I have a tendency to lose interest, it feels toorehearsed. With a visual in my mind, I jump right in and allow the piece as a whole to develop organically. This way I stay engaged with the drawing, not knowing where it will lead. I like the mystery. I usually have 3-5 drawings going at once, that way each one can help influence another.

Digital vs traditional?

Traditional all the way. I love the feeling of materials in my hand and embracing the inevitable mistakes that happen with pen. There is something special about being able to see the artist’s marks directly on a piece of paper.

How long does it take to create it?

Quick sketches can take a few hours, while involved pieces take 2-3 weeks.

Is it a hobby or your career?

I’m incredibly lucky to draw as my career.

Why do you draw?

I draw because I love too. Once I get pen to paper, I lose myself and hours fly by. I find it a very meditative experience. The reason I focus on animals (besides fur being so fun to draw) is because I want others to cherish these awesome creatures of the wild. I create stories around animals to capture their beauty and essence in the hope viewers will find a deeper connection to nature. I believe we protect the things we love and I want people to love animals.

What inspires you?

I’m incredibly fortunate to live in a stunning place, the Upper Peninsula of MI. Everyday I can immerse myself in the wilderness. These experiences shape my ideas and give life to the awe, love and passion I have for wildlife and nature. I also have two adventure sidekicks that inspire me, my wife Kelly aka @kellylimbergjewelry who is an incredible artist / metal smith and my beautiful husky Luna.

What is the proudest moment that you have achieved?

This isn’t so much one moment, but more like an accumulation of life. Like so many people, I struggle with depression and self defeating thoughts / behaviors. I’m most proud that I have come to a place where I can cope with these emotions better and find contentment.

What is the biggest obstacle that you have faced?

Becoming a full time artist. This definitely isn’t the easiest way to make a living but has become the only way I want to live my life.

You have one day to live, how do you spend it?

Easiest question yet, ha. I would want to be with my wife and dog, hiking in the woods, a thermos and backpack full of coffee and chocolate.

How can people get in contact with you?

Feel free to contact me with design work or commissions ideas that seem magical.I love working with those who feel a strong connection to my drawings.

My website / shop – www.jasonlimberg.com

Instagram – www.instagram.com/jasonlimberg/

Facebook – www.facebook.com/jasonlimbergart/

Jason, his wife Kelly, their husky Luna and the Upper Peninsula of MI.

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Braelinn’s dark and punny illustrations

Thanks Braelinn aka @brae.ns for accepting to take part in our black and white illustrators’ interview series! Let’s start the questions!

How long have you been drawing?

Since I was a kid, but I always felt like I was just doodling and never took it seriously. Then I went to school for Graphic Design and learned the basics of how to draw. My drawings still look like doodles but I’d say they turned into doodles with a purpose (lol) around 4 years ago when I went to school.

What’s your process?

Come up with the pun – these come to me randomly and I keep a list going, other times they just come to me when I’m ready to draw. Then I sketch it out in color, then go over it in black felt pens. I usually scan it or take a photo and just adjust the color and post. Also anytime you see color that’s added digitally.

Digital vs traditional?

Traditional! I’m a graphic designer and everything for work is done in the Adobe Suite. I love that this is my excuse to step away and put pencil/pen to paper.

How long does it take to create it?

1-3 hours per piece

Is it a hobby or your career?

Hobby. I make art as a career but this is my fun project. I do sell things but it’s just a small portion of my income. Who knows, maybe I’ll take it big one day!

Why do you draw?

As a creative release. It’s also very meditative. I go crazy if I haven’t drawn in awhile!

What inspires you?

For this project- death. That sounds dark but it’s really not. My drawings are cute and funny. I am obsessed with death because it’s what gives life meaning. We’re all going to die, life is limited. We have right here and now, what are you going to do with it? I’m going to eat dessert.

What is the proudest moment that you have achieved?

I would say my business achievements. I’ve made a career as a freelance graphic designer. Now, I’m making moves on my press-on nail brand. 

What is the biggest obstacle that you have faced?

Myself! I’m the only one holding me back. Change your thoughts and change your life.

You have one day to live, how do you spend it?

My first thought was eating dessert, lol! I’d go around to all the best places for pancakes, ice cream, and cookies. Then I’d just die probably covered in all of those. I’ll have my cats with me too of course

How can people get in contact with you? 

DM me 🙂

@brae.ns

@braelinn – personal

@rave_nailz – my press on nail brand 

@braelinn.eats – my food (cough dessert) blog

Braelinn portrait.

Braelinn painting a mural and participating in her favorite activity, dessert.

Braelinn’s press on nails (This is her best-seller, the Bad Witch Nailz)


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An interview with eyes lover artist Janet

So proud to have here with us Janet aka @janet.ministry answering a few questions about her work. Let’s start the questions!

How long have you been drawing?

I have been drawing since I was just a child but I stopped a bit during my studies. I really got back to it in 2016.

What’s your process?

Gut feeling. Music is omnipresent in my drawings, as I will listen to a song or an album, and begin to draw what I feel.

Digital vs traditional?

For now, I am more about being traditional, but I plan to digitize my work.

How long does it take to create it?

Sometimes an hour is enough, sometimes weeks. It totally depends on the inspiration and the size of the design.

Is it a hobby or your career?

Right now it’s a hobby but I wish it could become a career.

Why do you draw?

It’s a way of expressing myself, a need. Drawing is a utter reflection of my state of mind, and the things that obsess me.

What inspires you?

Mainly. music That’s why a lot of the drawings contain song lyrics or are actually kinds of tributes.

What is the proudest moment that you have achieved?

I have been anorexic for years. It’s still present inside of me but I have managed to find my way out of it. So I am proud that I can eat specific types of foods that were forbidden for a long time and to be able to accept myself as I am.

What is the biggest obstacle that you have faced?

That d*mned anorexia! The dietary restrictions I imposed myself made my life completely impossible.

Indeed, I was passing out every day, I was psychotic about going crazy, I was doing at least 3 hours of exercise per day, I felt angry, it was impossible for me to concentrate … I did not draw during all this time because I was unable to remain calm.

You have one day to live, how do you spend it?

I would like to party with those I love, just dance to edgy music without ever stopping.  Dancing like a crank girl until death ensues.

How people can get in contact with you? 

You can get in touch with me via Instagram @janet.ministry or my website www.janet.gallery and would be delighted to meet you.

Jeanne, her desk, the place where she live in Paris: Near the Bassin de la Villette, her notebook where she writes everything, draws on it, and notes her dreams, her loved Lewis Carroll complete works, her « Girls don’t Cry » compilation vinyl.

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The surreal world of Justin Estcourt

So honored to have here with us Justin Estcourt aka @jetsyart answering a few questions about his work. Let’s begin!

How long have you been drawing?

I have been drawing and creating for as long as I can remember. I became obsessed with drawing every day when I moved to Denmark over a year ago. In that time, my drawing style has developed considerably and hopefully become more cohesive and original.

What’s your process?

I take my time thinking of drawing ideas, producing small ideation sketches on whatever is closest to me at the time, phone/sketchbook/internet bills. When it comes time to start a final piece, I rarely take breaks and can be focused on details for hours at a time.

Digital vs traditional?

For drawing itself I prefer traditional, but I also take pleasure in using Photoshop and designing on the computer.

How long does it take to create it?

My pieces can take from 4 to 20 hours to complete depending on size and detail.

Is it a hobby or your career?

I have been a full-time illustrator/designer over a year now, however I don’t believe that someone should do just one thing for their entire working lives. Therefore, I like to think of it as how I am expressing my creativity in this moment. I have many other interests such as music, film and architecture that I would be just as eager to pursue.

Why do you draw?

Put simply, I want to create work that I like. The artworks that I am most proud of are always pieces that I haven’t seen anything like before. I feel powerful willing my work into existence, and I love watching it unfold because I really enjoy what I do. My tastes change over time and I see something lacking in my previous work which pushes me to keep creating.

What inspires you?

I have a myriad of interests including music, astronomy, physics, architecture, fantasy and film. What attracts me to these disciplines is the extraordinary nature of the intellectual and artistic complexity that can be achieved by human beings. The cerebral search for perfection that will never be satisfied.

How can people get in contact with you?

Feel free to send me an email: justin@jetsyart.com

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An interview with watercolor artist Inga Buividavice

Thanks Inga aka @inga.buive for taking part in our favourite illustrators’ interviews series!

Let’s start the questions!

How long have you been drawing?

I am a graphic designer but I haven’t been drawing that much till the last year. I was constantly thinking that I will start drawing one day but it seemed that this day will never come. But then two years ago I’ve picked up a brush while on maternity leave and was determined to learn watercolours.

What’s your process?

My process is chaotic, I don’t sketch most of the time and I paint fast. I can start three paintings at a time, leave them to dry and finish them off in three weeks. Sometimes when I want to do a more structured composition I do a light pencil sketch, then do one or two layers of paints and add details with a fine brush or white pen. 

Digital vs traditional?

Both. In my case noting is finished if not processed digitally.

How long does it take to create it?

I paint fast and I’d rather do lots of paintings than keep editing one. It can take anything from 10 minutes to an hour. However, I can do lots of sessions before it’s finished and they can be weeks apart. 

Is it a hobby or your career?

A hobby that pays for itself.

Why do you draw?

It’s a part of who I am. 

What inspires you?

My inspiration comes from watercolour itself. I’m mesmerised by how paints bleed into the paper. I start almost with abstract brushstrokes and then try to push it to the familiar shape such as florals or planets. That’s why my flowers are very simplistic most of the time. Shapes, colours and contrast are most important and together they make a certain mood that is the main purpose to me. I love geometry and patterns, nearly every painting will have that no matter how loose or chaotic it looks from a first glance.

What is the proudest moment that you have achieved?

Becoming a mom. My son is 2 years now so it’s all still very new for me.

What is the biggest obstacle that you have faced?

Maybe challenge more than an obstacle: moving to a new country and settling in, but it had a good impact on me after all.

You have one day to live, how do you spend it?

My family. My husband, my son and my parents. I want to spend every day with them.

How can people get in contact with you? 

Instagram @inga.buive or email inga.buive@gmail.com

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Poetry in Colour

You’d think realists and hyper-realists especially must be painting with needles and pins! You wouldn’t be too far away from the truth. When it comes to watercolour, in addition to high quality brushes with lots of zeroes on them, realism takes detailed, accurate drawings (measuring included), lots of thin watery layers, really going from light to dark, and… loads of patience. Loads. The following three realists are taking their art miles further from mere accuracy – to poetry in colour.


Japanese artist Reina Yamada @_reina_yamada_ continually polishes her portraiture skills to perfection and beyond. She carefully chooses her models (among the multitude of her Instagram followers too), and inevitably comes up with brilliant perspectives, as well as the most intriguing fragments and angles. Reina uses natural earthy palette and never fails to awe the onlooker with her emphasis on light and stunning detail.


Christina Mrozik @christinamrozikart, an American artist based in Portland, Oregon, is a professional illustrator with a striking ability to transmute the external into a mirror of the inner spiritual and emotional world. Focusing mainly on the flora and fauna, Christina uses watercolor, graphite, acrylic and ink to take you on a journey of self-discovery – a heroic undertaking fraught with pain and fear – snake-scale by snake-scale, a petal after petal, and one by one moth wing.


Victoria Obukhova @vishnyaobukhova is a Russian realist with an astoundingly vivid palette. Her portraits, flowers, forests, birds and mammals are bursting with energy and zest for life, with her attention to detail being just as impressive. Victoria paints life using fiery pinks, shades of purple and reds, making each of those adorable faces bathed in a warm glow of sheer love for life.

Visit Lana’s Instagram gallery @calico.brush

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Purr in Ink, Luis Coehlo Illustrations

Thanks Luis aka @purr.in.ink for taking part in our favourite black and white illustrators’ interview series! Let’s start the questions!

How long have you been drawing?

Since a few lifetimes ago, meaning I don’t actually remember when it started.

What’s your process?

I just think, draw and believe that eventually, something nice will appear both in my thoughts and on paper. Sometimes I have a picture in my mind before I start drawing but it never ends up like that. I try to embrace those things that we generally call mistakes. Rather than avoiding or eliminating them, I search for solutions so that I can turn them into something nice. Mistakes can be creative geniuses helping us reach another level on our crafts. They surely make a way for us to find our own voices. The mistakes we do are what leads us to find our own ever-evolving unique creative spirit. Therefore I rarely give up on a drawing and I always use my best and most expensive paper and tools right away.

Digital vs traditional?

I’m generally happier with my traditional tools but I think digital is also awesome. 
How long does it take to create a drawing?In the last two years, my fastest drawing took me around 5 hours and my slowest one around 70. Drawing is like active meditation and therefore I usually lose the notion of time. 

Is it a hobby or your career?

I’ve luckily turned my hobby into a career very recently and I’m deeply grateful to everyone who has made this possible by following my work and feeding my path with such great energy. I, of course, also thank the cats. ^_^

Why do you draw?

Since I remember being myself there has always been this thought in my head saying that I should draw more and that it is what I’m here to do. It’s like a duty. I feel like it is the best thing that I can do with my life and what I’m best at. It does good to me and I’m also very happy that my drawings do some kind of good to others. 

What inspires you?

The possibility of making someone smile.

What is the proudest moment that you have achieved?

I really have a hard time trying to select moments by intensity. I have surely felt proud of myself at least just as many times as I felt humble. I try to do whatever it takes to be ok with who I am at every moment. So I can only give you a continuum: Not giving up on my dreams is something I allow myself to be proud of.

What is the biggest obstacle that you have faced?

Since this should be mostly about my art, I would say that trying to live as an artist can be very challenging. I’ve spent all my life looking for a way to break from my natural tendency to fall into jobs that would slowly drain all my energy. But so it is for most of us. Being able to do what we love for a living should be simple, but most of the times it is really complicated. It’s not only that society does not easily accommodate our dreams, but also the need to realize how we constantly make it even more difficult with our own actions. Most obstacles will only remain obstacles as long as we live in a way that makes us less than what we can be. 

You have one day to live, how do you spend it?

I’d most likely panic. But if I could, what I would really like to do is to find a way to stay calm and spend that day tuning in with death. I feel like death might just be the most important experience in life. It is the moment when we finally have to face it all. Although I’m inclined to believe that there is some sort of afterlife, I am not religious. But that’s not really important. I’m just talking about what it might feel to finally be presented with the end. Speaking of intensity, this one will most probably be at the top of the most intense moments of anyone’s life. It would be awesome to get to that day feeling like there is nothing else for me to live. 

Luis Coelho and his workstation.

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Zoki’s whimsy illustartions

Really proud having here today Zorana Zivic aka @zoki.art, one of our favorite watecolor illustrators! Let’s start the interview!

How long have you been drawing Zoki?

Professionally I have been illustrating for 2 years. As an amateur – whenever I had a chance. Some kids play with toy cars, some with milk boxes and some like the crayons. Obviously I was the one with the milk box.

What’s your process?

One of the most important parts of the process is to tidy up everything before I start. I can not work in a messy or dirty environment. A tidy place clears my head. If that was not the case, it can literally be seen in my work. After that, I put on some classical music and I get lost. What happens in between I have no idea. Sometimes I notice the laundry is already done. 😀 Oh, yes, and phone on the airplane mode during work is a must!

Digital vs traditional?

Traditional. I haven’t tried the digital yet. I would like to but I still haven’t found the excess time. However, painting with water is relaxing in many different ways. I think I could never totally switch even if I by some mistake fell in love with digital 😛

How long does it take to create it?

It varies from an illustration to illustration. Florals are very quick, about 1-3 hours. For children’s illustration I need more time because there are many more things you have to incorporate to make it work as a completed whole. So sometimes it takes me even a few days. But not more than that. I don’t like leaving things unfinished. It makes me nervous. 😀

Is it a hobby or a career?

Career.

Why do you draw?

I enjoy it and it gives me peace and excitment at the same time.

What inspires you?

Classical music, human emotions, peace, silence, smell, air, water…

What is the proudest moment that you have achieved?

This one is a cliche but it is true. It’s when I baked a double chocolate cake and ate half of it in one day! I am proud of many moments I have achieved but I think the one I would like to expose is finishing college with top grades and being pregnant 3 times during that period and on zero sleep. 😀

What is the biggest obstacle that you have faced?

The biggest obstacle, in my opinion, is not being a very social person. I don’t know how to engage in small talk and that is why I don’t like going among people. I believe it is an obstacle because this way I miss out on so many business opportunities. Talking to people sucks all of my energy and sometimes I need 2-3 days to refill it again. In my perfect world, everything would be solved via email.

You have one day to live, how do you spend it?

This is an easy one. I spend it in my living room drinking coffee with my husband and with kids running around the house. Typical Sunday.

Where can people find me:

Zoki’s portrait and her studio.

Zoki’s family, some cookies she bakes and her favorite rose 🙂

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Spirited Creatures

Three incredibly successful and well loved artists we are presenting today are veritable gems, distinguished by originality and authenticity. Their innovative approach and abundance of creativity has earned them a special place in the world of contemporary art, as well as in this column – with some of their spirited creatures.

Fotini Tikkou @fotinitikkouillustration, a Greek artist based in Denmark, has established a recognizable presence in the world of illustration, handmade ceramics and decorative objects. A Fine Arts graduate, Fotini has had her work printed and produced by some of the greatest names in the industry, and her playful drawings, scribbles and patterns adorn a whole range of lovely mugs (some of which are rather nosy), platters, bowls and jewelry, as well as a number of children books and greeting cards. Her art is distinguished by the whimsy, spontaneity and humour, making it captivating and entirely irresistible.

Ira Sluyterman van Langeweyde @iraville is a German illustrator in the category of her own, with an overwhelming popularity matched only by her immense skill and versatility. Using mainly watercolour, gouache and colour pencils to express her vision, there is virtually no subject Ira won’t tackle – from delightful urban scenes, over the portraits, birds, pets, animals and botanicals, down to interiors and various taxonomies, including winter knits, evergreens and deliciously patterned mushrooms… Ira’s signature style is unmistakable, marked by an earthy palette, imaginative composition and the abundance of charm.

You can tell Jessica Zhao @calliandco, based in New Zealand, paints and posts on Instagram “just for fun” by the playfulness and the free spirit that shines through her art. Jessica’s grouped creatures, botanicals and objects (from cats, bats, butterflies and whales, to pumpkins, citruses, Christmas trees and Parisian bears) are imbued with a childlike enchantment – the never-ending wonder of life and art on Earth, up in the air, in the galaxies beyond and in the ocean depths… lighthearted and lovely down to the last brushstroke!

Visit Lana’s Instagram gallery @calico.brush

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An interview with tattoo artist Claudia Chelo

Thanks Claudia aka @clach_art for accepting to take part in our favourite black and white illustrators’ interview series! Let’s start the questions! 

How long have you been drawing?

I always remember my sister drawing since we were children, I used to look up to her. And then I just never stopped!

Is it a hobby or your career?

I actually got my degree of Arts in Italy in order to have a career as illustrator. What I never expected was someone contacting me before finishing my studies to offer me becoming a Tattoo Artist in Germany. A bit crazy but now I do professionally what it used to be a hobby.

How people can get in contact with you? 

I’m based in Hamburg, Germany. Currently resident artist at Alchemist’s Valley Hamburg. You can always get in touch with me via Instagram!

What is the proudest moment that you have achieved?

The day I took out my tooth alone when I was 6 years old. Talking about my art career, the first time I tattoed one of my old designs, which I created before even imagine becoming a tattoo artist. The design wasn’t meant to be tattooed and that’s why it was so pure and emotive.

What is the biggest obstacle that you have faced?

To leave my pizza and change it for a bratwurst. Moving to Germany from Italy, leaving my whole life there, was quite tough.I moved there to learn the art of tattooing and to transform my illustrations into tattoos was also not easy.

You have one day to live, how do you spend it? 

In an ice cream shop, trying every possible combination ever. I really hope it’s my last day, so I don’t even have to pay for it!

Claudia Chelo, her workstation at Alchemist’s Valley Hamburg, the first tattoo she made from one of her illustrations and her pet, a knitted flamingo!

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Giselle Dekel’s Pun Art

Thanks Giselle Dekel aka @giselle_dekel for accepting to take part in our favorite illustrators’ interview series!

Let’s start the questions!

Giselle at work in her workstation.

How long have you been drawing?

Since forever, but it got more serious after taking my first art class at age six.

What’s your process?

I don’t think I have one, I like to draw things that make me happy or laugh. If I don’t know what to draw I have a little brainstorm session with myself.

Digital vs traditional?

BOTH

How long does it take to create it?

Depends on the illustration, could be anywhere between 1 hour or 2 days.

Is it a hobby or your career?

Happy to say that it’s now my career.

Why do you draw?

Because it feels good to create. I love to see a blank piece of paper become something more. Same reason I love to bake!

What inspires you?

Women, humour, symmetry, shadows, architecture and the people around me.

What is the proudest moment that you have achieved?

Seeing my prints for sale in a shop for the first time. I had offered my illustrations for to a few shops, and one of them responded positively. A few weeks later I went to that shop to see my prints framed and up the wall, it was a pretty great moment.

What is the biggest obstacle that you have faced?

Definitely quitting my job in order to pursue this dream of becoming a self-employed designer/artist. Most people keep their day jobs for a year or more when doing this transition, which is the smart thing to do! For me that felt impossible, being a mother of 2 (a baby and a toddler) and working at a demanding job that I hated. And although it was a very hard first year, it was one of the smartest decisions I have made.

You have one day to live, how do you spend it?

Easy! From morning until afternoon, I would go hiking somewhere in the Austrian mountains with all my family. It’s definitely one on my favorite places in the world. We would all have a big picnic on a grass field overlooking a spectacular view, I’m thinking bread and cheese, with lots of fresh vegetables and fruit. For the evening, probably “Netflix and chill” just by myself, I would pick 2 movies, one that I already know and love and a new one that looks exciting, for dinner a big pizza just for me and lots of candy and chocolate, maybe some salted caramel popcorn (no guilt because I ate health that morning, AND it is my last day)

Giselle’s kids and her baking tools! 🙂

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Jenny Lefèvre’s flowers and portraits

Thanks Jenny aka @jenny_illustrations for taking part in our favourite illustrators’ interviews series!

Let’s start the questions!

How long have you been drawing?

I drew a little as a teenager but I quickly stopped for my studies. It was during my parental leave in 2016 that I started to draw again and more particularly to paint. At first it was to find a hobby and it became a real passion. Today, I would like to do my job.

What’s your process?

I usually find an image that inspires me in a book or on the Internet, and then I try to create something new. I start with the sketch and then I start painting. I sometimes repeat 5x my watercolors until I am satisfied with the result.

Digital vs traditional?

I really like digital drawing, but watercolor painting has become more important lately and I am now focusing solely on that.

How long does it take to create it?

It all depends on the idea that I have in mind. Some are more complex than others, I would say between 1h and 10h.

Is it a hobby or your career?

I work hard to make this passion my job.

Why do you draw?

Painting and drawing do me a lot of good because it allows me to escape and create. It is truly comforting and rewarding to see the result of many hours of work and to be proud. Even if the result is not always perfect, there is always something to learn.

What inspires you?

I am very inspired by nature. I like using Pinterest to find pictures of plants or portraits to reproduce.

What is the biggest obstacle that you have faced?

In my creative career, having no artistic training, the biggest obstacle I encountered was having to progress quickly to catch up. It requires a lot of perseverance and curiosity.

What is the proudest moment that you have achieved?

I’m proud of many things, but I think the best time is when I gave birth to my twin daughters. It was a very difficult pregnancy and I was hospitalized for a very long time to prevent them from being born too early.

What is the biggest obstacle that you have faced?

In my creative career, having no artistic training, the biggest obstacle I encountered was having to progress quickly to catch up. It requires a lot of perseverance and curiosity.

You have one day to live, how do you spend it?

If I had one day to live, I would pass it without hesitation with my family and we would talk about our best days.

Jenny with her two twin daughters and her dog.

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Modern Botanicals

This Wednesday we are Dreaming in Colour with a brand new set of three unique artists, creating wonderfully fresh, modern botanicals. 

Shaz Serene @shazserene, a Malaysian watercolourist from Kuala Lumpur, paints loose florals in a range of soft pastel shades. She also runs art workshops and sells both prints and originals at her website, which she mails wrapped in the most charming hand-painted paper. 

Hungarian artist Andrea Szalay @artofnorka creates stunning botanical studies in handmade sketchbooks, akin to the precious vintage encyclopedic editions. Each page is a gem on its own, together – they are a veritable masterpiece of botanical art.

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Page 29-30 . .

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Laia @laia_journal, based in the Spanish region of Catalonia, fills her art journals with lovely sketched and watercolour art, including florals, fruit, celestial doodles and vintage ephemera (as well as a whole lot of washi tape). Laia’s playful style, fresh colour palettes and the ease with which she mixes media make her journals an art form in themselves.

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art journal☔️💐

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Visit Lana’s Instagram gallery @calico.brush

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An interview with dark artist Karl Trewhela

Thanks Karl aka  @karltrew_art  for taking part in our favorite black and white illustrators’ interview series!

How long have you been drawing?

I’ve been drawing since as far back as I can remember. As a child my father used to take us both to wildlife parks, sitting in the car drawing the animals as they roamed. I’ve always had a fascination with wildlife/nature and I guess this was the foundation for my inspiration. I studied illustration at university but hardly ever turned up and was useless in groups and being told what kind of style or what meanings to attach to my art. I’ve always liked tutoring myself, studying the work of great artists of the past such as Gustave Dore and Leonardo da Vinci but I didn’t start drawing in a dedicated fashion until after my 30th birthday and haven’t stopped since.

Why do you draw?

If I didn’t draw I’d probably go mad… I’ll probably go mad anyway but this might hold it off for a few more years. I’ve always felt far too much and had a mind that never stops racing, combined with being terrible with words, drawing/creating helps ground me, let’s me express my subconscious feelings and most of all calms me and takes me into another world. A kind of escapism. 

What’s your process? 

I don’t really have a particular process, I like it to be spontaneous and to depend on my mood. I’ll start drawing something and that something will lead onto something else, each part influencing another and so on. I try not to rush and therefore give time for my imagination come up with new and exciting paths to take. They can take between 50 to a 150 hours and time seems to fly by when I’m drawing, like a meditation, getting lost within the process. 

Digital vs traditional? 

Personally, I love the human touch; the marks and the mistakes and all the imperfections that come with pen and ink. It forces you to focus and work around errors and I believe it shows the soul. Delicacy, sensitivity, power or whichever emotion/feeling becomes apparent within each pen stroke, scribble and mark. 

Originals/prints: www.etsy.com/uk/shop/KarlTrewhelaArt or DM @karltrew_art on Instagram for commissions/inquiries 

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Butterfly Magic

If you’ve been painting and posting on Instagram for any amount of time you must have fallen in love with Inga Buividavice’s @inga.buive art. Graphic designer by trade and artist by birth, Inga uses watercolour and gouache to paint extravagantly beautiful florals and whimsical botanicals. Harmonious, graceful and enchanting, her paintings are an eye candy you simply can’t miss!


Szilvia Vihriälä @szilviavihriala from Finland applies her art on ceramic and creates an abundance of delightful art objects. From vases with houses in clouds, through celestial plates, to figurines of puppies (some under their blankies) and collections of moths, each of her pieces is a precious treasure.


Fine Arts major based in Texas, Sarah Alden @sarahaldenart takes you on a magical journey through fantasy and fairy art. Mostly figurative, her watercolour paintings bring an otherworldly enchantment, spiced with star dust, alluring and dreamy.

Visit Lana’s Instagram gallery @calico.brush

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Bronwyn Royce’s floral miniatures

Today Bronwyn aka @pigmentsart , one of our favorite floral watercolor illustrators is here and she will answer some questions! So exciting!

Bronwyn Royce and her workstation

How long have you been drawing Bron?

I actually started relatively late in life…I didn’t think I had any artistic ability! I went to my first watercolour painting class in 1999 and I was hooked.  I then opened my art school in 2004 teaching watercolours to adults and children.  When I moved to the UK in 2007, I closed my school and set painting aside to take up full time employment in order to qualify for my British Citizenship. I started painting again in 2018.

What’s your process?

Intuitive? Chaotic? Once I have chosen a subject matter, I decide the shape I’d like to paint it in.  I use a stencil to lightly pencil the shape onto the paper and I begin to sketch.  I find that I can get much more detail with my paintbrush so I draw only rough shapes with my pencil as a guideline for painting.  The fun part is when it comes to adding the watercolour paint.

Digital vs traditional?

Art changes constantly and digital has revolutionised the way art is produced. I’m open minded but I have a feeling that it will always be traditional for me.

How long does it take to create it?

Without distractions (Coffee, gym, work avoidance…) miniatures can take me anything between one and five hours to complete.

Is it a hobby or your career?

I took the bold step of registering my business a year ago so it has gone from hobby to career.

I have my own website pigmentsart.co.uk where most of my miniatures are available as originals and prints.  My larger works are available only as originals.

I am contactable via email pigmentsart@hotmail.com or directly through my website and I am very happy to discuss commissions.

Why do you draw?

It’s my way of expressing myself and I love to see the joy it brings others.

What is the proudest moment that you have achieved?

That’s a difficult one, partly because I hate talking about myself, but perhaps one moment (quite a long moment!) stands out. When my boys were very young and we still lived in South Africa, we had no money to pay their school fees so I put on an overall, grabbed a long stepladder (even though I hate heights) and spent 6 weeks painting the entire exterior of the 1600 pupil school to cover the fees.

What is the biggest obstacle that you have faced?

There’s no avoiding this one although it is very difficult for me to talk about. My oldest son deployed to Afghanistan with the British Military in 2012.  He was very seriously injured when he stepped on an Improvised Explosive Device on May 2.  Both of his legs were amputated above the knee, as well as most of his left hand, his face was blown apart, his neck was broken in three places, his lungs burst and his heart was bruised.  He spent 48 days in hospital in an induced coma.  Eighteen months after injury, he was in the Canary Islands preparing to row the Atlantic Ocean for the first time.  He has gone on to participate in adventures all over the world, has been awarded an MBE, and he continues to motivate and inspire others.  I am currently writing a book about how our lives were changed in that instant.

You have one day to live, how do you spend it?

Well, the bond between my sons and myself has always been strong but this incident made us stronger.  If I had just one day, I would love to spend it doing some crazy adventure with my boys.

Bronwyn with her favourite recipe which is quinoa, avocado and feta salad and Dartmouth – the town where she lives in Devon, UK

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Ghaith’s minimalist illustrations

Thanks Ghaith aka @astroaurts  for taking part in our favorite black and white illustrators’ interview series!

Let’s start the questions!


What’s your process? Digital vs traditional?

My art is a combination of both. I draw traditionally with pen and paper then edit my drawings on my iPhone while adding a few digital elements/backgrounds. I use two apps for my digital editing, nothing fancy! Phonto for adding geometric shapes and blending layers and Magic Eraser to remove backgrounds.

How long does it take to create it?

My posts take between 2-3 hours to create. I try to keep my work with minimal details because I think it’s better to add the necessary lines while keeping the artwork pretty and not too cluttered with details, less is more!

Is it a hobby or your career?

Drawing is a hobby but I Do accept requests for commissions/custom work. My career is in building engineering/project management. People can DM me on Instagram for commissions requests. I hope to have prints to sell in 2020. I am looking to switch to digital art in 2020 which will make me more comfortable selling my art because one of the issues I have with pen and paper drawings is the artwork quality gets pixelated when translated to Instagram. The switch will be to iPad Pro.

Why do you draw?

To release stress. Drawing brings me peace! When I am drawing I feel like I am in my own world.

What inspires you?

Listening to music, seeing random images sometimes spark an idea for a new drawing concepts. When I have art blocks I like to listen to music to try to get back in my creative flow.

What is the biggest obstacle that you have faced?

Learning English! I moved to the US when I was 13 and I did not speak English at all.  It was a big adjustment for me to learn the new language and adjust to the culture shock. I was in 8th grade and I was part of second language courses until 10th grade.

You have one day to live, how do you spend it?

Exploring a new place with my girlfriend and my puppy @pitapooch! These two bring me all the joy in the world and I can always count on them to put a smile on my face!

Ghaith’s puppy, Pitapooch.

The place where Ghaith usually draws, no studio, just a humble dining table, as he said, and a place where he spent a lot of time when he first met his girlfriend and where they got to know each other.

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