Forest Black by Anette Sommerset

Thanks Anette aka @ankatsom for taking part in our black and white illustrators’ interview series! 

How long have you been drawing?

 I’ve been drawing for as long as I can remember. As far back as in kindergarten I was mostly interested in painting and drawing. As soon as I had a pen in my hand growing up I started doodling. In 2016 I slowly started to get more serious about it.

What’s your process?

 I always start by making fast sketches, mostly to try out ideas and find a good composition. I have a small book that I use for this purpose.  After that I draw it on a piece of paper using a pencil.  Once I’m satisfied with how it looks I finish it with ink pens. If I decide to draw it digitally I take a picture of the sketch and import it to a drawing program on my iPad.

Digital vs traditional?

 It’s not so long ago since I started to draw digitally. I enjoy it, but I think it’s something special about the traditional way. Somehow I feel more in control when I draw with pen and paper.

How long does it take to create it?

 Normally it takes between 1-4 hours, depending on the complexity and the technique I use. Most of the pieces I make are not very big in size. When drawing bigger I sometimes spend a few days on a drawing.

Is it a hobby or your career?

 It’s turning in to a career, which I’m very grateful for.

Why do you draw?

 Most of all because I love it. I always did and I think I always will. One of the things I really like is to get lost in a drawing. I find it very relaxing at the same time as it keeps me focused. I suppose you could say it’s therapeutic in a way.

What inspires you?

 Nature is my biggest source of inspiration. I grew up in Norway with beautiful nature all around. Sometimes it’s enough for me to go hiking in the woods to find new ideas. I also always liked geometry and patterns. I suppose that’s why I like to combine it with nature in my designs.

What is the proudest moment that you have achieved?

 A couple of years back I made a decision to leave my job and what I considered safe and familiar behind in order to move to another country.  Even it was challenging I knew it was the right thing for me to do, and I know I’ll never regret it.

What is the biggest obstacle that you have faced?

 Working on becoming a full time artist. It definitely takes a lot of effort, but it’s what I feel the most that I want to do.

You have one day to live, how do you spend it?

 I would spend it with the people I love. It wouldn’t matter so much what we would be doing as long as we would be together.

How can people get in contact with you?

Feel free to send me an email or direct message on IG anytime.

Email: ankatsom@gmail.com

Instagram: www.instagram.com/ankatsom

Online shop: www.sommersethart.bigcartel.com

Interview with architect and illustrator David Bülow

Thanks David aka @bulow_ink for taking part in our black and white illustrators’ interview series!

How long have you been drawing?

Since forever. As a child I would always be drawing, alone or with friends. Even when I didn’t have paper, I’m told I would be drawing in the air with my finger. I still do that, annoying I think. Every schoolbook and later notes from meetings has always been smeared with drawings and doodles. The funny thing is, that I remember conversations and situations better from looking at the drawings than reading my own notes, because my handwriting is so crappy.

What’s your process?

It varies. Sometimes I know excactly what the final result will be, and finish within an hour going straight to ink. Sometimes I do pencil sketches forever to capture the right movement or mood.

Digital vs traditional?

Both and more! I cherish the feeling of paper and pen, the sound and smell. I love that it is irreversible, that it counts. That there is no cmd + z and you have to include your accidental inkdrops or mistakes, or start over. It gives a focus and feeling of presence I sometimes find it difficult to find in the digital realm. For the bulow_ink project I only use traditional materials. But I work a lot from my Ipad and enjoy it as well, for architectural illustration, competition projects I use it professionally with my office.

I am experimenting with photogravure technique these days, a wonderful mix of digital crafts and traditional crafts. I hope to beging sharing the results soon, very excited!

How long does it take to create it?

It’s normally a wonderfully slow thing. Anything between a few minutes and days.

Is it a hobby or your career?

I don’t do hobbies, only passions. I work as an architect and run the architectural office @primus_arkitekter, where drawing by hand is a vital part of my work. The ink drawing is a creative outlet and art project, a place where you can let your imagination run and get lost in the sweetest possible way.

Why do you draw?

I can’t help it.

What inspires you?

I guess we all take inspiration from everything around us. I’m always enjoying people interacting with cities and architecture. Having personal moments in the context of the built environment. The climate crisis inspires me to act and draw, not only in the apocalyseporn-style, but as a way to raise awareness and inspire action. Women inspire me on a daily basis. The elegance and expressions of female gestures. I recently opened @bulow_kink for this fascination.

What are you working on right now?

I am working on a grapic novel on the daily life with bipolar disorder with my girlfriend Tina (who is the bipolar one) – she writes and I draw. The process is posted on insta @the.other.party – it´s a very meaningful process for both of us, to bring awareness and eliminate stigma – and try to have a laugh about it too. I hope you will follow and support it. This project is btw completely done digitally on the Ipad

And then I’m getting started on a book project describing emotions and experiences of urban spaces. I got a grant from the Danish Arts Foundation (thanks btw) to help finding time for it besides my architectural practice. And now made an timeline for the project with my publisher

With my office @primus_arkitekter we´re working on a theatre building in Odsherred, a library and culture house in Viby – and last week we handed in a competition bid for the new headquarters for the Roskilde Festival. Very exciting

Where do you sell your works?

At shows – and I have a webshop bulowink.bigcartel.com and a small gallery here in Copenhagen @blandtandet has several glissée prints for sale. I sell originals only by personal contact – so dm on Instagram for requests

What is the proudest moment that you have achieved?

Here goes a wornout kliché, but nothing beats the birth of my wonderful daughter – though the achievement was entirely my girlfriends

What is the biggest obstacle that you have faced?

If we overcome the basic obstacles like getting out of bed, providing food, staying healthy, multiplying and in general being a decent person – the biggest obstacle often proves to be your own ego.

You have one day to live, how do you spend it?

I’d rob a bank and invite all my friends to restaurant Niu in Miami or a teppanyaki place in Tokyo for a night of tasting, laughing and drawing. No doubt. Ought to do it before it’s my last day though.

Wet-in-Wet Magic

We all know watercolour wet-in-wet is the best thing since discovery of the hot water – no question about it! Even though this beautiful technique simply boils down to adding (wet) paint to the wet surface, one needs to understand how wet, how much paint, when to stop and how exactly to direct the delicate play of colours, in order to create something magical. The following three masters of the technique should be used as an example!

Interior designer and watercolour artist Alla Kontsedaylova @allakontsedaylova from Belarus paints the most breathtaking florals. Vibrant yet airy, saturated yet transparent and light, clearly recognizable but still deliciously loose, as if not made by the human hand. Most definitely the complete mastery of wet-in-wet technique, in addition to Alla’s outstanding sense for tonal range and entrancing colour combinations.

Jane Davies @janedavieswatercolours, based in UK, provides a gallery of equally flawless artwork. Specializing in pet portraits and British wildlife, Jane paints magnificently loose animal portraits and the fluffiest birds of pray. Jane also teaches the art of loose painting and watercolour flow and, in her Daniel Smith step-by-step tutorial, suggests you “need to be a fairy in big boots” – “bold of heart and light of touch” when painting. 

Canadian artist Dawn Wood @watercolourjoy, just like all the wet-in-wet masters, seems to create paintings by pure magic, without brushes or ever touching the paper. Dawn shows enviable skill in her free-flowing florals and the entire family of enchanting kitties, birds and wildlife, but her ability to suggest shapes forming out of sheer splashes of watery paint is most obvious in her ethereal landscapes.

Visit Lana’s Instagram gallery @calico.brush

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